Exercising My Rights

By Claire Booth

I'm thrilled to unveil the new covers for the first two books in my series. I've re-acquired the rights to them and so am able to use my own covers when I put them up for sale as an ebook (and as a print book, but that will come later). I found the perfect designer, who absolutely gets the vibe of the series and gave me these wonderful, foreboding, ominous covers.

They're up on Kindle as of today and will be available elsewhere soon.

The Branson Beauty on Amazon.

Another Man's Ground, on Amazon.

The series now also looks consistent. This is Book Three with my current publisher, Severn House.

A Deadly Turn.

 

And I'll have news about Book Four, also from Severn House, very soon.

A DEADLY TURN in the Right Direction

By Claire Booth

It’s finally here. A Deadly Turn hits shelves this Friday. It’s the third in my Sheriff Hank Worth mystery series, and I’m really excited for people to finally have the chance to read it.

The first two books in the series came out almost exactly one year apart. This one took longer because I switched publishers, so it’s been a year and a half since the last Hank book. I’m beyond thrilled that I have readers who’ve told me how much they’ve missed him.

If you’re familiar with the other books, you’ve probably noticed a substantially different look to the cover of this one. That’s because Severn House, my new publishing home, decided to take the artwork in a more realistic direction instead of staying with the oil-painting look of the others. I gotta say, I love it. That overturned car is absolutely perfect.

Working with Severn House meant a few other changes as well. The company is located in London, so I had to calculate an eight-hour time difference, instead of the easily handled three-hour difference with New York. I finally settled on emailing him in the evening, so he would get it bright and early the next morning. If I waited until my “next morning,” he’d be heading out the door to go home for the day.

The email version of jet lag was worth it, though. The people at Severn really “got” Hank and his two deputies, Sheila and Sam—Hank with his wry humor and often overwhelmed attempts at managing a sheriff’s department; Sheila with her no-nonsense demeanor and quietly confident knowledge that she’d be a better boss; and Sam with his puppy-like eagerness slowly giving way to savvy adult. A writer’s greatest fear (well, my greatest, at least) is to land an editor who sucks all the life out of the book. That didn’t happen with A Deadly Turn, and I’m happy to let it out into the world.

Here’s a little more about it:

Hank Worth thinks he’s performed a good deed when he pulls over the car of six teens caught speeding on a Saturday night and lets them off with a warning and instructions to go home. When he responds to an urgent call minutes later, he realizes he made a fatal error of judgement—every teen is dead. Struggling to come to terms with his role in the crash, Hank begins to suspect foul play. While notifying the parents of the children involved, his suspicions grow when an unidentified body is discovered in one of their homes and a teenage girl is found after apparently attempting to commit suicide. Hank believes the incidents are connected, but those around him disagree. Is Hank right, or is his guilt making him search for answers where there are none?

You can find A Deadly Turn at any of the following booksellers.

IndieBound

Amazon

Barnes & Noble

Books-A-Million

The Mother of All Books...

By Russel D McLean

It's a strange feeling to see something you've worked on for so long finally take on physical form. Technically speaking, this is around the 8th time (counting various editions) that I've held a book of mine in my hands, and every time it feels oddly unreal. The same panic sets in, that there's something in those pages I overlooked or that I'll suddenly be found out as a fraud of some kind.

But at the same time, there's a magical moment. One where I realise what all the hard work was about. There's a moment where - and those who know me will know how rare this is - I actually get an ego trip.

Looking at the book, I remember when there was no book, just a gem of an idea. Something itching to find release. I remember when I thought I would never finish. The moments where I thought that maybe this time I'd truly messed up, that I'd never be able to create something coherent. But it happened. I know this not just because there's a book in my hand but because the guts of that book - the words, the pages - passed through so many others before this thing was created. It passed editors, copy editors, agents. It became something that talked to other people. Even in a small way.

Mothers of the Disappeared is, I hope, my best book yet. I sincerely hope so because it was a book I'd been wanting to write for a long time. The gem of the book was generated back when I was writing shorts about Sam Bryson for AHMM. I always wanted Bryson to try and prove the innocence of someone no one else would ever believe was not guilty. I wanted him to have to face his own prejudices in dealing with someone who appeared absolutely guilty and repellant. And with Mothers of the Disappeared, I took this idea and ran with it. The book became bigger than that, of course, and while that basic seed is still there, it has become a very different beast. But I'm proud of it. Very proud. As I am of all my books, even the ones I think have flaws.

The book is offically released in the UK on April 30. I'll be launching it at Blackfriars in Glasgow on the 28th (advance copies will be there for purchase!) at 7pm. I look forward to seeing people read the book, to talking to them about it, to being able to finally see the fourth McNee novel out there in the wild. It was - for many thematic reasons - a tough book to write. But I'm proud of it. And all I can hope is that you will enjoy reading it as much as I enjoyed writing it.

And so the end is near...

By Russel D McLean

As I write this, I am finishing up the latest draft of CRY UNCLE, the last McNee novel. The draft is due to submitted just before MOTHERS OF THE DISAPPEARED  comes out in April. I feel a little odd about this one. Its the fifth McNee and I always said that I had a five book plan. One I've almost stuck to. So this, in a way, is the end.

Its not necessarily the very end. But its the end of the particular arc I wanted to write. It ties up a lot of loose ends. It brings a kind of emotional closure to certain aspects of the series. And of course it does open up the possibilities for new paths to be followed. If people want it, there may be room for more in the series. I just don't know how they would look. Yet.

To tell the kind of story I wanted to tell took a lot of ambition for someone who's not as concerned with plots as he is style. I always wanted the writing and the emotion to win out over any kind of whodunnit chicanery or clever-clever reveals. I never minded if people saw the twists coming but I did want them to be interested in the characters and where they were going. McNee has changed as the books have gone on. By the end of book 3, he had come to terms with his part in the death of his fiancee. He had started to quell the anger that he had felt for years. In fact, without giving too much away, the point of book 3 was to show that with a very specific kind of emotional switch that happened in the final act as McNee saw someone else go through the kind of anger he had experienced and realised how destructive that could be to someone.*

Book 4 therefore should start with McNee in a good place. But having had him come through that, I didn't think it was fair that he should have an easy time of it. And besides there were, as someone pointed out, still a few loose ends dangling from as far back as THE GOOD SON. When were they going to bite him on the arse?

They do. Right at the start of MOTHERS, a very bad decision we saw McNee make several years ago is rearing its head. Consequences are finally asserting themselves. He  has started to forgive himself. But can others forgive him?

We also explore a little more the time before he left the force. The book is very much about McNee's past both in the chronology of the books and his past as a cop. We learn that before he left the force he was involved in a very high profile investigation along with his now dead mentor, Ernie Bright. But while that case was close, it looks like the wrong man may have been arrested. The wrong who pleaded guilty. I've always been fascinated by the idea of miscarriages of justice, and the idea that an innocent person might have reasons for pleading guilty. So this book looks into that.  Not in a legal sense. I've never been one for that although I do think that this book might actually have more research than some of the others have when it comes to procedure. Its all about emotional consequences, however. And on that level I think it works very well.

McNee still has some very dark places to go. But I'm so very pleased that both Five Leaves and now Severn Publishing have given me the chance to write the books I wanted to write. Of course the series looks different in some ways from how I imagined it back at the start. But the thrust of that five book arc remains the same and I'm very glad to have done what I set out to do. You may be just about to enjoy book 4, but for me, book 5 is nearly complete and that brings with it a kind of beautiful bitter sweet feeling.

This may not be goodbye for McNee. But for me, it marks a kind of ending. One that makes me both smile and feel a tiny bit wisftul.

*I make no claims that I succeeded in doing this, but that was the intention