Tuesday, January 21, 2025

What Did Jack Do?

Over the past weekend, like many many people, I'm sure, I thought a lot about David Lynch. I had a busy weekend so really didn't have time to revisit any of his feature-length films, but I did go back and re-watch for the first time in a few years the last released film he made, What Did Jack Do?. Available to see on Netflix, it's a 17 minute black and white film he made that premiered at the Fondation Cartier Museum in Paris in 2017. 


I am sure all Lynch devotees have seen this, but for anyone who hasn't, I'll summarize it quickly. What Did Jack Do? is a two-hander that takes place in a locked-down train station somewhere, and in this train station a homicide detective (played by Lynch) interrogates a capuchin monkey named Jack Cruz who is a suspect in a murder case. The film has the look of a grainy film noir and uses a real trained capuchin monkey whose mouth is made to move through special effects as he converses with the detective and tries to ward off the detective's barrage of questions. 

To get to the point: this is 17 minutes of Lynch bliss. The film is at times absurd, at times serious, often both at the same time. Lynch is a such a master of dialogue made up of non-sequitorial language, and What Did Jack Do? is full of it. The detective and the monkey start their talk more or less answering each other directly, but as the conversation proceeds, the two employ more and more cliches and platitudes. Lynch in his performance is utterly deadpan and the monkey too is serious, but their exchange becomes increasingly farcical. They do anything but communicate in a meaningful way. At the same time, in its terseness, the dialogue sounds like a parody of every interrogation scene you've ever seen in a 1930s or 1940s crime film. It's very funny, but of course -- this is Lynch -- the emotion underlying what's funny is strong and genuine. If the capuchin monkey did commit murder, he did it driven by amour fou. He fell madly in love with a chicken named Toototabon, and this avian femme fatale apparently had something sexual going with someone named Max. It is Max who Jack Cruz may or may not have murdered. 

Is there coffee in this film? Check. Cigarettes? Check, smoked non-stop by the detective. And the combination of the monkey's real movements, head bobbing, eyes alert and darting, combined with the deepfaked mouth talking, makes Jack Cruz quite a compelling figure. He has a gravelly voice that fluctuates in tone from defiance to annoyance to pride to desperation. He's a suspect in pain, and his pain, resulting from love, is extreme. I won't reveal the ultra Lynchian thing he does towards the end to express in full his love for Toototabon, but it strikes a chord that is at once comical but also heartrending, a blending of moods that is vintage Lynch.

What did Lynch do with What Did Jack Do? In 17 minutes, he made yet another richly textured gem. And I'll tell you, short as it was, it really cheered me up.



Saturday, January 18, 2025

What Saturday Night Live Can Teach About Failure

By

Scott D. Parker

Failure sucks, but failure isn't all bad.

After rehearsal on Thursday night, I came back home (with McDonald's food!) to find my wife watching a new four-part documentary on the history of Saturday Night Live. I missed the first episode and most of the second, but I ended up watching the last two.

The third episode is an entire deep dive on the Cowbell sketch. That was fun. The fourth, however, was brand-new to me. Entitled, “Season 11: The Weird Year,” it details the new-to-me saga of that year. And there was a lot I didn't know. Randy Quaid was a cast member?!

Full disclosure: I didn't start watching SNL regularly until my college years. Thus: the late 1980s and early 1990s. I was either too young for the show or didn't know it was on or whatever. 

This episode fascinated me. Everyone interviewed for this documentary talked about how they knew, in real time, that the season wasn't good. It wasn't connecting with the audience or even the folks working the show.

Yet they had to keep going. What other choice was there? 

By the end of the 1985-1986 season, rumors were rampant that SNL would be canceled. They even aired a semi-cliffhanger as the season finale, which is pretty interesting. 

The conclusion of the documentary episode has the same folks talking about the changes that were made for Season 12. They hired new writers, brought in new cast members skilled at sketch comedy, and, with an eye to what went wrong in Season 11, they moved forward.

And never looked back.

What Can We Learn?

We creatives not working in front of a camera like to hide our failures. Especially writers. All of us have drawers full of finished manuscripts that may not deserve to see the light of day and that's fine. 

But what about those completed stories that we're just too scared to share? What's holding you back? Fear of failure? 

Get over it.

Unless you are in the business of just writing and never selling stories, get your work out there. Get it out in front of readers. Let them read it.

Yeah, they may hate it and you'll have to deal with their reviews, but how else are you going to learn? Those same readers also might love what you wrote, and how good would that feel?

The Writer's "Five Minutes"

Episode 1 of the documentary features cast auditions. My wife said it was fun to see the younger versions of these actors we've come to know and love being given five minutes to prove themselves. Five minutes. In front of Lorne Michaels and others. Could you do it? 

You can, and you should. The writer's version of those five minutes is the preview chapters, the book description, and the cover. Make them the best that you can, get it out to the public, and then move on to the next project.

And if one of your books turns out to be like SNL's Season 11, suck it up, figure out how to fix it, and move forward. 

Friday, January 17, 2025

COVER REVEAL and Chapter 1 - Dark Neon & Dirt by Thomas Trang

 One of the best things about contributing here at Do Some Damage is being asked by publishers you love to spread the word about books you're guaranteed to love. 

Today, it is my pleasure to bring you the cover reveal of Thomas Trang's Dark Neon & Dirt

Not only that, we're also bringing you the first chapter. 

I've been hearing about this book for a while now; a few friends were asked to blurb it, and, in our texts, the one thing I've heard over and over again is how incredible it is - a high concept book that seamlessly melds character to plot, pushing both in to impossible situations before wriggling out in to new, totally unexpected areas. I'm so exited for this book I was just about to email my friends at Shotgun Honey to ask for an arc when, lo and behold, they appeared in my inbox, asking me if I could do a cover reveal. 

And then I saw the cover and read the first chapter and, let me tell you, there's no way I could say no. 

We'll get to the cover and chapter one in a minute, but first, let's find out what Dark Neon & Dirt is all about: 

Shaun Nguyen is a Vietnamese war orphan who made it to America. But danger was never far behind – from the Chinatown gangs he ran with in New York, to his years in Iraq dodging bullets and defusing bombs. Nguyen learnt how to survive. By all means necessary.

Now he’s a high-end thief in Los Angeles. One of the best, but smart enough to know he’s living on borrowed time. Then a job goes sideways, leaving bodies on the Hollywood Freeway, stolen diamonds in his pocket, and a target on his back.

Which gets the attention of Thomas Monroe, an LAPD lieutenant who’s been hunting Nguyen for years. Captain Ahab with a gun and badge, plus his own dirty secrets closing in on him fast. The two of them are set on a collision course – a thief who won’t be caught and the cop who doesn’t miss.

Not exactly the quiet life Nguyen is after, especially now he’s met a mysterious woman who’s landed in town. They fall for each other hard. A gallerist living in France who used to be with the FBI’s Art Crime Team. Able to spot forgeries a mile off, but she hasn’t figured him out yet.

So once he wraps up this business with the diamonds, Nguyen is done with the game. The problem is she’s not quite done with the FBI.

Welcome to the City of Angels – where everyone has an angle.

That sounds amazing, doesn't it? And I know you're primed to read chapter 1, but before we get to that, let's check out this beautiful cover: 


I'm pretty sure you're already sold, in which case, I'd suggest you swing by Shotgun Honey's site and pre-order this novel as soon as possible. But when you're done, come back, because we've got Chapter 1 of this absolutely incredible novel below. 

DARK NEON & DIRT - CHAPTER 1


Nguyen stays quiet. He doesn’t look like much, and now the two guys sitting across the table are wondering if he’s ready to take down an armored truck.

One of them says to Podesa, “This ain’t rocket science but we’re on a tight clock. There’s the driver plus three guards in the back. You pull out in front and cut them off. We’re right behind you in the tail car. Two minutes and we’re gone before they know what happened.”

Then he glances over at Nguyen. “Charlie Chan here wigs out and our whole plan goes to shit.”

The other one chuckles to himself like Muttley.

Podesa sticks his hands up all defensive. “Hey, you’re the one who called me last minute saying we need the extra muscle. Don’t worry about Shaun. We’re good. The two of us can manage crowd control.”

It’s 3:29 a.m. and they’re at the NoHo Diner on West Magnolia. It’s close to empty—only a couple of people by the counter, plus the four of them at a table next to the wall of black-and-white movie-star photos.

The one in charge waves for the check. He looks Nguyen straight in the eye and says, “You better hope so. This ain’t folding fuckin’ laundry.”

***

Now they’re parked on Figueroa below the Hollywood Freeway overpass.

Two cars. Podesa rolling solo, Nguyen half a block north in the back seat of a grey Honda Civic that smells of old menthol smoke and grease. The other two are sitting up front.

When they peeled out of the diner car lot earlier, the one in charge introduced himself as Rick then nodded at his partner riding shotgun and deadpanned it. “This is Morty.”

Switchblade grins from both of them now.

The radio’s playing softly—Billie Eilish singing about how she’s the bad guy.

Rick runs through the game plan one more time, his voice muffled by the foam earplugs they’re wearing. “Once we load the shaped charge, the door’s gonna come off quick. What you need to do is watch the guards when we pull them out. Keep ’em on the ground. Make sure you take the guns and any comms they got. Pass me those bags there.”

Nguyen hands him two large nylon carryalls from the back seat.

“I was just fuckin’ with you before. Stay cool, okay? Don’t screw up, and you’ll make some money. You do good on this, there could be more work down the line.”

Morty checks his watch. “We’re up. They should be coming off Sunset now.”

Rick turns the music down and gets on the walkie-talkie to Podesa. “You ready?”

He slides a magazine into the AR15 sitting on his lap. Morty does the same, handing it to Nguyen then loading up another for himself. Thirty seconds later, an armored truck comes cruising past the Civic and they ease out behind it. The rest of the street is deserted. Podesa backs out across the empty lanes where Dewap bends around onto Figueroa and boxes it in.

The masks go on and the three of them are out of the car. Rick is up on the rear doors attaching the shaped charge to them, Morty ducking to the side as it detonates.

Nguyen holds back as the explosion rattles the truck with way too much force. But it stays upright and they’ve blasted through the lock, so once the smoke clears Rick yanks the door open. He storms inside with Morty right behind him.

They shove the guards out and Nguyen lines them up by the side of the truck, taking their guns and scooping them into a pillowcase.

Podesa comes around from the front with the driver. Nguyen gets all four of them face down on the concrete, fingers laced behind their heads. Podesa moves into position at the back of the truck and scans the area. He looks at his stopwatch. “Forty seconds.”

The job’s running smooth. The target is neutralized and they’re moving on schedule. Rick tosses one of the black bags out the rear door and it lands at Morty’s feet.

It all goes sideways when he comes out with the second bag.

Rick grabs the pillowcase with the weapons, pulls one out and checks it’s loaded. Then he turns and shoots Podesa. The bullet sends him stumbling backwards. He falls over, eyes wide, and makes a sharp wheezing sound.

Nguyen moves to react but Morty hits him with the stock of his gun. It puts him on the ground. He picks up Nguyen’s AR15 and fires it into the side of the truck.

There’s a lot of noise but no bullets. Blanks.

Morty smiles and slings the nylon bag over his shoulder.

Rick comes over to Nguyen splayed out on the concrete, aiming the guard’s weapon at his head. “Your friend, he was already a dead man walking. You’re just in the wrong place at the wrong time, hermano. It’s nothing personal.”

Nguyen has a detonator up his sleeve.

He slides it down and hits the switch with his thumb. “You got that right.”

The carryall on Morty’s shoulder explodes and takes his arm clean out the socket. One side of his face is sliced open with the blast and it looks like the inside of a pomegranate. He stands there for a moment surrounded by a confetti shower of greenbacks then drops.

Nguyen rolls across the ground in one fluid movement. He grabs Morty’s weapon and gets up in a shooter’s pose before Rick has even thought to react. He’s standing there covered in blood and small pieces of his partner when Nguyen shoots him in the torso.

Pop pop. Double tap, center mass.

He looms over Rick’s body then finishes it with a shot to the head.

A brief spasm of life then nothing.

Nguyen looks over at Podesa to confirm he’s dead, then picks up the black bag.

He shoots Morty twice as he walks back to the Civic. The engine is running.

Nguyen fishtails south on Figueroa then up the off-ramp, turning right onto Temple.

The guards are still face down on the street—what the hell just happened?



Again, there's no way this book won't be one of the standout releases of an already packed year, and when you read these blurbs, your hype is going to climb as high as mine: 
“Thomas Trang has written a gritty, action-packed tale that will hook you right from the start. The writing is sharp as a broken bottle, and Trang’s characters shoot hardboiled dialogue until the chambers are dry. Dark Neon & Dirt is a visceral and unforgettable debut!”—C.W. Blackwell, author of Hard Mountain Clay

“Fast and smooth as a greased .45 slug, Dark Neon & Dirt is an incredible heist novel that recalls the finest works of Don Winslow.”—Nick Kolakowski, author of Where The Bones Lie

Make sure you order your copy of Dark Neon & Dirt today, and look for Thomas Trang here at DSD as the book gets closer to its release!