Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Saturday, June 28, 2025

Sometimes, the Ending of a Story Changes

by

Scott D. Parker

Sometimes, the ending of a story changes. 


I finished my latest novel yesterday. And no, writing “The End” on a story—and I literally do that—never gets old. This story had its spark in 2019. I piddled with it off and on until New Year’s Day 2025 when I decided this book would be the book I finish this year. I intended to finish it by 1 April. 


That didn’t happen. But I’m really glad it took me this long because I never would have reached the ending I wrote.

Am I Really Changing the Ending?

As I walked the dogs on Thursday evening, I was pondering how and what to write for that last chapter. I had a closing scene in mind since 2020 or so and that’s the ending to which I’d been driving.


But as I tried to figure out how to, frankly, shoehorn my characters into a particular POV, I asked myself a seemingly simple question: What if the scene was not from the POV of that character? What if a different character was the main POV?


Like magic, that unlocked the story’s ending. Everything fell into place, and I knew how the scene would play out.

What About the Last Line?

Even though I knew how that last chapter was going to go, I wasn’t sure about the last line. As I was telling a fellow writer, my goal when a person reaches the end of one of my stories is to have their hearts pounding in their chest, cheering, or tearing up. 


How was I going to achieve that?


That answer arrived, as many ideas do, in the shower on Friday morning. And when it happened, I got goosebumps and I teared up.


Two out of three ain’t bad. 

Saturday, June 7, 2025

Do You Need a Story Sprint?

By

Scott D. Parker

Sometimes you just have to sprint.

I’ve been writing a novel for the entire year. Restarted on New Year’s Day with an end date on 1 July. We all know novel writing is a marathon, an endurance test of stamina and devotion.

But last weekend, a fun thing happened. I was inspired to write a short story. A week ago yesterday, at work, I encountered a gentleman who works for my company. I’d heard about him, how his mind works, and how interacts with my fellow employees. In some ways, he’s on a different level altogether.

In the course of my introduction, he dropped a quote about how he views one of his past times: amateur boxing. I’m not a boxer, have next to zero clue about it, but the quote captivated me. I was so enthralled that I imagined a scene with a fictional character inspired by my co-worker. Over the course of the two writing sessions, I wrote a 3,800-word short story while not touching the novel.

And I loved it.

Being on a Novel Marathon, I chip away at the end goal, day by day, writing session by writing session. Actually, the better analogy would be I shovel words onto the large pile, knowing one day, I’ll get to “The End.”

That quickie short story? Like a balm. It actually sent a charge surging through my imagination on the novel. It also spurred ideas about taking this short story and treating it as chapter one of another novel.

But I have to finish this one first.

Saturday, May 24, 2025

The Great Summer Writing Season

by

Scott D. Parker

Here in the United States, summer officially begins this weekend. Actually Memorial Day. It ends 98 days later on Labor Day, 1 September.  I know it is a great time to travel, watch summer blockbuster movies--Superman! Fantastic Four. Superman. Mission Impossible (last night). Jurassic World. Did I mention Superman?--catch up on some TV, sit on the patio or beach or dock and sip something cold, and just enjoy the summer vibe.

But it can also be used to write.

Think of it: perfect bookends. There is a beginning and an end. There are 98 days of summer if you don’t include either holiday but do count weekends. If you were to write up to 1,000 words per day, more or less an hour, you’d have a novel.

Okay, you say, what about weekends? There are 28 Saturdays and Sundays this summer. Doing the math, that is 70 weekdays. At 1,000 words a day, that 70,000 words, still a novel.

But let’s say you don’t reach 1,000 words a day. What if you only spend 30 minutes a day and produce 500 words? That’s 49,000 words, an old-fashioned novel, the kind Erle Stanley Gardner or Donald Westlake used to write . If you take out the weekends, that brings you down to 35,000 words, still very respectable.

And I’m only thinking novels here. Imagine if you wrote a short story per week. That’s 14 new short stories.

This is just to get you thinking about continuing your writing during what Dean Wesley Smith calls the Time of Great Forgetting, when your New Year’s Day resolutions to write more are ignored. You can do this. Just start on Monday and keep going. And like I mentioned to a co-worker, give yourself the grace to ramp up as slowly as you need to. Writing, even though you will have frustrating days, is supposed to be fun. Those numbers are merely aspirational guidelines. 

I’ll be finishing up a novel rather than starting a new one. And I might tackle some shorter fiction. I've got a few projects that are sitting and waiting for my attention. 

So, figure out what you want to write this weekend, carve out the time on your schedule, and maybe you'll reach those magical words by Labor Day: The End.

Saturday, June 1, 2024

Start Your Summer Writing Project Today

By

Scott D. Parker


Have you started yet? 


Remember how excited you were on New Year’s Day? You had high hopes about the year, and all the things you were going to do, you know, like write a book (or finish one). How’d that go?


If it went well, congrats. I finished my WIP earlier this year and took a break. I wanted to catch up on some reading and prepare for my next project. Which begins today.


I’ve written about this for a few years now: Summer is a great time to start and complete a project. You have the bookends of Memorial Day and Labor Day. As of today, you have 92 days until Labor Day weekend, 65 if you only want to work on weekdays. That’s 13 weeks. More than enough time to make some substantial headway on a new book—or finish it.


Call it National Novel Writing Season, NaNoWriSe. 


Call it a productive summer. 


Call it whatever you want, but have fun doing it. 


And start today.

Saturday, May 25, 2024

Add Tom Straw and Matt Goldman to Your Summer Reading List

by

Scott D. Parker

I walked into Murder by the Book on Wednesday knowing one author. I left knowing two.

I’ve enjoyed Tom Straw’s writing before I knew who Tom Straw was. Back in the fall of 2009, the second season of “Castle” premiered on our TV screens, but HEAT WAVE, the first book “written by” Richard Castle, showed up on bookshelves. What was this meta magic? Nearly every fall after 2009, when a new Castle season started there was a Castle book. What made the books great was this: unlike the TV show characters Castle and Beckett, their counterparts, Jameson Rook and Nikki Heat, actually got together. It was the mirror universe of the TV show.

 But who was the actual author? It was a fun parlor game as the years went on, a game I didn’t play because I reckoned the identity of the author would be revealed one day. And then it was. Tom Straw, veteran writer for Night Court, Nurse Jackie, and the Late Late Show with Craig Ferguson, was the man behind the keyboard on the first seven Richard Castle books. Once I knew his name, I didn’t forget it. 

So imagine my delight when not only is there a new Tom Straw novel released in May but his tour was swinging by Houston’s Murder by the Book. The book in question is THE ACCIDENTAL JOE and the premise is wonderful: what if a celebrity chef like Anthony Bourdain uses his travel and food show as a cover for the CIA? Even if the idea hadn’t come to Tom, I’d have bought that book in a heartbeat.


Not One But Two Authors

When the folks at the bookstore announced the date of the event, there was another author on the bill, a writer named Matt Goldman. I’ll admit going in that I wasn’t familiar with Matt’s work. Turns out in the hour-long conversation, Matt’s got quite the resume. A New York Times bestselling author, his writing for television includes Ellen, The New Adventures of Old Christine, and a little show called Seinfeld. Oh, and he’s won an Emmy award. 

The author of seven books, he was in town promoting his latest, STILL WATERS. The premise of Matt’s book, much like Tom’s, sold me in a sentence: Adult twins receive a phone call telling them their brother is dead only to also receive an email from their dead brother saying that if they are reading said email, he’s been murdered. Again, sold!


A Good Conversation

In the course of the event, Tom and Matt mentioned that they are part of a small group of writers who meet regularly via Zoom. Their talk on Wednesday was akin to joining that group. The pair discussed their new books, their careers, and techniques for writing good books people want to read. Central to good stories, both writers said, was character. Without it, you’ve only got cardboard characters going through a plot. 

What really struck me during the event was the warm friendship Tom and Matt share and their mutual respect for each other’s work. Tom complimented Matt’s “kinetic energy” in his story of the two twins who have to unravel all the mysteries and secrets in the small town while confronting and addressing their own flaws. Matt sang the praises of the “organic humor” in Tom’s book. “He does action well,” Matt said. “You get the feel of the danger without the blow by blow narrative.”

Tom and Matt reflected on their time writing for television and how episodic storytelling ingrained the essence of good pacing and structure in their stories. It has helped Matt write his novels without outlines, feeling his way through the tale. It also paved the way for a complete upheaval of a book. THE ACCIDENTAL JOE we buy in stores is actually the second version. Turns out, early readers liked the story but really loved the first person “voiceover” narration of Sebastian Pike, the main character. So Tom did what any sensible author would do: take the feedback and completely rewrite the novel entirely from Pike’s POV. Viola!


I had a blast at the store on Wednesday night. I got to meet an author I enjoy and discover a new one. And now I’m introducing them to you. Start your summer reading with THE ACCIDENTAL JOE and STILL WATERS.

When the CIA enlists celebrity chef Sebastian Pike to use his food and culture travel show as cover for espionage, it kicks off a high stakes mission full of danger and romance. From Paris to Provence, there’s peril, double dealing, plus a minefield of complications from the hot romance that sparks between the bad-boy chef and his CIA handler.








Liv and Gabe Ahlstrom are estranged siblings who haven't seen each other in years, but that's about to change when they receive a rare call from their older brother's wife. "Mack is dead," she says. "He died of a seizure." Five minutes after they hang up, Liv and Gabe each receive a scheduled email from their dead brother, claiming that he was murdered.

The siblings return to their family-run resort in the Northwoods of Minnesota to investigate Mack's claims, but Leech Lake has more in store for them than either could imagine. Drawn into a tangled web of lies and betrayal that spans decades, they put their lives on the line to unravel the truth about their brother, their parents, themselves, and the small town in which they grew up. After all, no one can keep a secret in a small town, but someone in Leech Lake is willing to kill for the truth to stay buried.



Saturday, May 4, 2024

How Do You Prepare to Write a Novel?

By

Scott D. Parker

Wednesday marked what I like to call my personal Writer’s New Year’s Day. It commemorates my decision on 1 May 2013 to write and complete the story based on a scene in my head—a man, wearing a fedora, knocking on a door, and being answered with bullets. I resolved to finish that story no matter what. I did, and it’s now called WADING INTO WAR: A BENJAMIN WADE MYSTERY.

The decision, back in 2013, was inspired by a quote whose origins I have forgotten: “A year from now, you may have wished you had started today.” By 2015, I had accomplished something else: I had formed my own company and published WADING INTO WAR.

Also over the years I have extolled the virtues of the summer season as a time with discrete bookends—Memorial Day and Labor Day—to write something. I am planning on doing that this year, but I wanted to warm up again, to get my writing muscles back into shape before I tackle the new book on 27 May.

To take this sports metaphor a bit further, when you warm up, you do smaller things. Pitchers simply throw the ball. Basketball players dribble and practice shooting free throws. Football players keep off the pads and do things at a slower rate.

For me, I’m getting back into gear by finishing an existing book I set aside last fall. I’m close to the end, maybe four or five chapters. The benefit of this kind of activity is that I only have to take the story over the finish line. I don’t have to create a whole new slate of characters and settings and plots. It’s simply a way to get my fingers back into gear and channel my imagination back into a story.

Then, come Memorial Day, it’s off to the races with the new book. 

I know some folks like to mix in short works in between novel-length projects. Others like to do some non-fiction. I’m always curious and always eager to learn from other writers: How do you prepare for starting a new novel?


Saturday, May 27, 2023

What Are You Going To Do With the 99 Days of Summer 2023?

Veteran writer Dean Wesley Smith dubs the summer months the Time of the Great Forgetting. It’s that point in the year when the good intentions of New Year’s Resolutions made in the depths of winter fall by the wayside in bright light of hot summer days when the pull to do just about anything other than writing draws writers away from their keyboards. It’s only in later summer and early fall when writers remember their annual goals and either charge full-stream ahead and barrel to the end of the year, desperately hoping to achieve their milestones, or just give up and do something else.

He speaks the truth.

But I’ve come to see the summer months as an almost perfect time capsule to get things done, including writing.

Bookended Time

Starting with Memorial Day and ending on Labor Day in September, summer has a definitive beginning and ending. The only span of time that rivals this is Halloween-to-New Year’s Day. Unlike the holidays—which a chock full of known events and Christmas pageants visits to friends and family—the summer months are largely unstructured. School’s out, vacation season is in, and we all get to collectively breath deep for a few short weeks before we do it all again in the fall.

The summer vibe is looser. We wear different types of clothes. We read different kinds of books, the beach reads if you will. And we watch certain types of movies. I’ve already seen one of my favorite movies of the year—Fast X, a rollercoaster in a movie theater—and canNOT wait until both Michael Kenton’s Batman and Harrison Ford’s Indiana Jones share the multiplexes for the first time since 1989. 

The clearly marked beginning and ending of summer also is the perfect time to do something creative, including writing. There are 99 days this summer—97 if you don’t include Memorial and Labor Day. Just imagine what you can do. Write a 99,000-word novel if you write 1,000 words per day. Or maybe two shorter works of, say, 45,000 words each. In the 14 weeks we get this year, you could write 14 short stories. Writing is merely a habit, and if you get into the habit of writing, it will be difficult to stop it.

Just imagine, come the Monday of Labor Day, the tremendous sense of accomplishment you’ll feel when you look back over Summer 2023 and marvel at what you’ve done. It’s just like your New Year’s Resolutions but for a shorter period of time.

Your Summer Resolutions

Come to think of it, why not think of them as Summer Resolutions. Or your Summer Goals List. 

So spend some time this weekend thinking about what you want to write or accomplish this summer. Make a list—on paper—hang it on the fridge, and look at it everyday. Then, each day, when you open the fridge, ask yourself if you have moved the needle forward on those goals. When you do the incremental daily work, the end result will be greater than you could imagine.

Saturday, April 15, 2023

When You’re Down in the Dumps, Be Open to the World Helping You

By

Scott D. Parker

Sometimes, creativity is hard, discouraging, and challenging. In every creative project, there is always a moment (or moments) when you question what you’re doing. It’s an inevitable part of the process. What do you do?

Be open to the signs the world is sending you.

By the way, I’m using “creative” here because this applies to any type of creative thing you do, whether it be writing, painting, composing, researching, or building something.

The Challenge of the Tedious Work


I experienced a couple of challenging days earlier this week. They were days in which I began to question why I do the writing stuff and all the surrounding things an author does to sustain a writing career.

I’m updating my author website this spring. For one thing, I think it’s a good idea to refresh all the public-facing stuff from time to time. My site had been static with one design for …well, I can’t remember the last time I updated it. Another reason is as a cost-cutting measure. The theme I was using is one of those subscription-based plans and, now that my taxes are finished, I was able to see that the money going out (for hosting, webpage theme) was not as much as the money coming in. Thus, I revised my website and opted to use a modern, responsive theme for a single purchase price.

I was struggling with the website mainly because it was not properly formatted. I was beginning to sweat it out, to be honest. What if someone—especially a fellow sax player in my church orchestra who only discovered on Easter that I write books—visited my site at the very same time the site was garbled? Would they ever return?

I was able to slap that thought out of my head rather easily. Is that something I can control? If yes, then worry about it. If no, then soldier on and do the work of updating the website no matter how long it took.

How Long Is a Novel Supposed to Be?


On New Year’s Day, I started my current book. Last year was pretty bad writing-wise so my simple goal was to start and finish this book with the only rule of thumb being write every day. I have met that goal, but, after 104 days (as of yesterday), I have not completed the book.

Which was weird. And it got to overthinking things.

It took me about ten months to write my first one back in 2005-2006. Then I spent seven years not writing the second only to complete my second actual book in about a six-week span in 2013. In those intervening years, I’ve complete more manuscripts, with the fastest being a three-month span in early 2017 in which I completed a novel a month. I was enamored with the pulp writers of the 1930s and fancied myself in their company.

That’s not me.

Thinking my book was too long and too slow, I recently purchased Dean Wesley Smith’s classic Pacing course over at WMG Publishing. In my email conversations with him, he banged my head with the Bat of Obvious: “As for your present book, just write until you find the end of the story and don't worry about length. Then keep learning, as you are doing.”

Yeah, but what about that other book when….? was my first reaction. That’s when another author showed up in my feed.

I subscribe to the Writer Unboxed blog posts and read those posts daily. This week, Kathleen McCleary posted a just-for-me (no, not really) blog post entitled How Long Does It Really Take To Write a Novel? Eager to learn The Secret, I read her post.

And, again, found the Obvious Answer: it depends on the story and the author. In reading the details of how long it took her to write her novels, I found encouragement. She mentioned that writing every day helps (I absolutely concur with that statement) and it doesn’t matter what others have done. Then, like Dean, Kathleen lays it out in a clean, obvious statement: “Let it go.  Meaning, let go of your ideas of how long it should take you to write your book, and just write. You have a story to tell and you are the only one who can tell it, so let it unfold.”

The Work is the Win


The bow on top of the Cake of Encouragement this week came from Billy Oppenheimer. He is Ryan Holiday’s research assistant, Ryan being the guy who is bringing Stoic philosophy to the 21st Century and showing us how it still applies. Billy has a weekly newsletter in which he shares six things he’s learned each week. It’s a great resource.

Billy appeared on The Best Advice podcast and in this episode, he said he followed one of Ryan’s basic habits for sustained creative success:

The Work has to be the Win. “You control the effort," Ryan says, "not the results. You control the work you put in, not how it’s received. So ultimately, you have to love doing it. You have to get to a place where doing the work is the win & everything else is extra.”

The World Can Help You…If You Let It

All of these desperate threads wound themselves in my brain and thoughts this week and cleared away the cobwebs of doubt. Doing something creative is always difficult. There will always be challenges. The key to maintaining the creativity is to keep moving forward. The work is going to take as long as the work takes. When it’s over, you’ll know.

So just keep being creative, because being a creative is a wonderful thing to be.



Photo courtesy of Steve Johnson via Unsplash

Saturday, April 8, 2023

Do You Ever Defy Expectations Like Harrison Ford?

By
Scott D. Parker

Let’s be honest: if you watched Apple TV’s “Shrinking” series, a good number of us did so because we had one overriding thought: Harrison Ford doing a comedy?

Granted, it’s not a typical comedy sitcom with a laugh track on a stage with a studio audience. But it’s still a comedy. A trio of folks—Jason Segel, Bill Lawrence, and Brett Goldstein—created the show, and they know comedy.

The great thing about this 10-episode series: it is a comedy, but it is also something else: it’s an honest look a grief, how people get through it, and the pitfalls and victories along the way.

And it has Harrison Ford doing comedy. I’ll admit I was a little skeptical. Ford just doesn’t do comedies. Even now, without looking up his IMDB page, can you name any comedy he’s done? There are funny moments in various movies, but no comedies come to mind.

Why did he do it?

Maybe to see if he could.

It’s a Comedy and a Drama (i.e., Real Life)


The show centers on Segel’s Jimmy, a widower with a teenaged daughter, Alice (Lukita Maxwell). Both are trying to deal with the death of his wife/her mother and they are growing farther and farther apart. Jimmy is a therapist. Ford plays Paul, the senior therapist and one who serves as Jimmy’s mentor. The third therapist is Gaby (Jessica Williams) and they have a charming and fun relationship. The three actors are so good together that you might wonder if they’d worked together before.

Rounding out the cast is Liz (Christa Miller) as Jimmy’s next-door neighbor who basically took over helping to raise Alice after Jimmy checked out for a year and Brian (Michael Urie), a lawyer and good friend of Jimmy.

The events and relationships come across as genuine, albeit in a TV version. My wife doesn’t always laugh out loud at TV shows, but there was more than one time when we both were laughing so hard we had to pause and rewind the show because we missed next lines of dialogue. Two scenes later, our eyes welled up with tears and we’d give each other quick glances to confirm that yes, we were both crying.

That’s the kind of show this is. I don’t binge TV, and we watched the first episode way back on 4 March. We picked episode 2 up on 29 March and were done by month’s end. Even I couldn’t get enough of this show. My wife and I both expressed interest in going back and rewatching some Jason Segel movies.

Doing the Unexpected


Oh, and Brett Goldstein? You know him as the gruff Roy on “Ted Lasso.” He wrote two of the episodes, one of which just ripped out the emotions and the tears out of our bodies. He also wrote one of the recent episodes of “Ted Lasso,” one of the more emotional ones. For a guy that I came to know as an actor first, he can really write well.

Back to Ford. After a career of not doing TV, he’s now doing two shows (“1923” is the other one). “1923” is a western so that’s at least in Ford’s wheelhouse, but “Shrinking?” That’s something new. He’s said in interviews that the script was one of the best he’d ever read…and that’s saying quite a bit.

Being the professional actor that he is, I get the sense that “Shrinking” came to him at the right time. He liked what he read and said yes. At first, I suspect he might have been a little hesitant to agree to do a project that was so unlike what he was used to and is known for.

Then, I thought about it differently. What if he took this role exactly because no one expected it of him? How daring is that? Or, rather, how exciting.

When was the last time you thought about creating something—a book, a song, a work of art—that no one expected of you? Did it make you scared? Did that fear make you pause and not move forward?

Or did you accept the fear, defy expectations, and go for it?

Saturday, April 1, 2023

If You’re a Professional Copywriter, There’s a Book You Should Read

By

Scott D. Parker

We talk a lot here about fiction writing, but there are a good number of folks who make a living with a day job that also involves writing. I’m one of those fortunate individuals. I’m a marketing/corporate writer for an oil and gas company so I get to write and create content all day long. That includes my lunch hour fiction-writing sessions.

The corporate environment in which I find myself Mondays through Fridays is a good one, the most creative one in which I’ve worked. Everyone feels zero issues with chiming in on items, even if it’s a writer like me commenting on a design element or one of the designers suggesting different words.

As with fiction, it’s always a good idea to hone one’s skills. Unlike fiction, however, there are a lot more books about corporate writing and copywriting and marketing writing. My boss mentioned one last week. It’s by Robert W. Bly and it’s called The Copywriter’s Handbook: A Step-by-Step Guide to Writing Copy That Sells. The other sub-heading is A Master Class in Persuasive Writing for the Digital Age. My boss’s comment was that he might need to get the physical book because, as he listened to the audiobook on his commute, he kept wanting to make notes or underline passages.

I hadn’t heard about the book, so I read the introduction online and scanned the table of contents. The next thing I did was order a copy. This is the 4th edition, from 2020, so it brings in the various digital components of the modern internet. Since I also have a commute, I went ahead and ordered the audio as well. That way, I can follow along while driving, the book in the seat next to me, a pencil marking my page so I can underline key passages (at red lights only!).

Now, I’m only up to Chapter 3 (Writing to Communicate) but the content in Chapter 1 (Introduction to Copywriting) was excellent. Chapter 2, however, the one entitled “Writing to Get Attention: The Headline and the Subject Line,” has already been put to good use. I had to write a series of emails for a customer event and, if you’re like me, if the subject line of an email doesn’t grab me, I’m more likely to delete it unread. Bly’s chapter really helped me hone those five email subject lines this week. It’s pretty nifty when something like this book can pay immediate dividends.

If you write marketing material for a living, I encourage you to check out Bly’s book. I bet it’ll help you. I’ll report back when I’ve finished the book, but I was too excited about how just a couple of chapters already helped me rethink certain aspects of my day job that I wanted to share.

Saturday, August 14, 2021

Working Out and Writing: The Obvious Revelation

by

Scott D. Parker

Today, my wife and I turn twenty-two and we have reached that stage in a marriage when we get joint gifts. 

My wife is an accomplished jewelry artist (her website) so from the jump, store-bought jewelry was off the table, a thing that's both more a blessing than a curse since she can dream up anything she wants and just make it. Moreover, we are blessed with my full-time day job so we really lack for nothing. 

So we opted for a joint gift this year: a rowing machine. It's a svelte little ditty that sits adjacent to our entertainment armoire in the TV room. It folds up with not in use, and there is room right in front of it for me to put my Chromebook in easy viewing range so I can follow along with the YouTube workouts I'm following.

For me this week, I've been doing my rowing exercises first thing in the morning. I wake, put on the workout clothes, and hop on the machine. Having never really worked out on a rowing machine before, this is Week 1 so I'm doing one of those beginner workouts. It's challenging enough to leave a thin sheet of sweat on me as I fold it back up and head on over to the kitchen table and bring up the latest novel-in-progress. With hot coffee next to me, I start writing.

And boy what a surprise I got this week.

Those ten minutes on the rowing machine not only woke me up way better than coffee, but it did so by getting my heart pumping and the blood flowing. Look, I know that's obvious, but before this week, I've never done a workout and a writing session back-to-back. It's an eye-opener.

With my body fully awake and ready for more--I'll be doing a longer workout next week after I get used to the technique of rowing--the only outlet I have is the imagination of writing. And the creativity pours into me and onto the screen.

As the anecdotal evidence was revealed to me this week, I remembered one of the DVD extras on season 1 of Castle. Stephen J. Cannell took actor Nathan Fillion through what a normal day for Cannell the Writer is like. A key part of his daily routine is working out. 

I pump iron and do push-ups and pull-ups everyday, but it's the cardio workout right before a writing session that really enlightened me. I rarely need any outside prompt to sit at the keyboard and create stories, but I certainly have a new process I'm excited to keep trying. I can also imagine that day when the story isn't flowing as seamlessly as it should that I jump on the rowing machine and let the body do the heavy lifting and get the blood flowing while the brain rests. I suspect it'll clear the cobwebs pretty darn well.

How about you? Do you combine a workout and writing session?

Saturday, March 6, 2021

Ever Have One of Those Chapters?

by

Scott D. Parker

We writers know all about the vicissitudes of writing prose, the good, the bad, the frustrating, and the glorious. Most of us know that for every valley in which we find ourselves mired in will soon vanish when we reach the mountaintop of “The End.”

There are, however, little victories along the way, and I experienced one this week. See if this rings true for you.

My current work in progress has been gestating on and off for about eight years. I completed Version 1.0 back in 2013 but stuck it in a drawer. I picked it up again a few years ago, but it still wasn’t gelling. Last fall, I picked up that 2013 printout, re-read it with a yellow notepad right next to me. Then, I completely revised the outline, exporting it onto 3x5 index cards that now live on the cork board in my writing room.

Those notecards carry the plot. They don’t always carry characterization. That’s for the writer, his fingers, and his imagination.

I’m something like 30,000+ into this story. I’m enjoying it, layering in the various threads for my awesome conclusion. And I’ve got a main character I really enjoy. She’s a woman of a certain age. One of her funny lines goes something like this. “You’re never supposed to ask a woman about her age. And there’s also a certain age when you’re not even supposed to guess.” 

I know her backstory and what makes her tick, but I reached a particular chapter in this book that ended up taking me the bulk of the week to complete. Why? Well, I ended up fighting with how the chapter was flowing versus the text I had written on the index card. I kept trying to steer the chapter toward what I had written on a 3x5 card last fall when I didn’t have the broader understanding of character in place. I kept hitting a wall, no matter what I did.

Finally, I relented. I stopped reading the card and just re-read the first half of the chapter. Then, picking up steam by the words I had written, I just let the two characters talk to each other.

Guess what? My lead became even more alive than before. So did the other character. They both were on a date, just talking to each other, in that typical getting-to-know-you vibe of all first dates. 

For me, my fictional protagonist became a real human this week. And boy am I excited to continue on with the story.

Y’all have chapters like that?

Saturday, November 7, 2020

Do You Save Excised Text ?

by
Scott D. Parker

When it comes to deleting text from you work in progress, do you up and delete it or do you save it?

I’m revising the existing chapters of my current work in progress before I hit that mark where I’ll be crafting brand-new words. As of yesterday’s writing session, I realized that a chapter/scene I had written really isn’t necessary. Actually, I’ve already excised two scenes because I think they’ll slow the pace. I can get the same information across with a tweak to an earlier chapter.

So what to do with the now deleted text?

I am using Scrivener for this particular book. If you’ve never used this program, it’s a little like Windows Explorer (or Finder for Mac folks) with each scene/chapter its own unique folder. There is also a ‘research’ folder at the bottom of the file structure. Typically this is used to house whatever research a writer needs to craft the book.

I have a folder I call “Excised text” and I’m pretty sure you can guess what that is. It is the folder into which I place all the content I will not be using.

Sure, I could—and do—simply delete it from the main sections of the book, but I also want to keep a record of it. In my comp book, I note that I’ve removed certain scenes. On my notecards, I’ll note that I’ve remove the scene from the main flow—but I keep the card in its original spot. I guess that’s the historian part of me. I want the record to show that on such and such a day, I removed a scene. It’ll also act as a road map if, when I’m finished, I go back and reconsider if the excised text/chapter really does belong. I’ve got all that text at the ready.

It’s a pattern I’ve always adhered to, going back as far as my grad school days.

How about you? Do you merely delete text/scenes you don’t need, or do you save it…just in case? I’m a process guy and I’d love to know how other writers treat text they don’t want to use.

Sunday, March 22, 2020

The Pandemic as Part of What You're Writing Now


Social distancing.
Stay at home.
Shelter in place.
Self-quarantine.
Some are new phrases. Some are old ones applied to a new situation. What other words are we as a society going to invent or re-purpose as we live through this pandemic? I’ll be very interested to see.
I’ve been asked multiple times in the past week if my current work-in-progress will have a pandemic in it. The answer is: I don’t know. I’d say “it’s too soon,” but that I think might not end up applying this time. “Too soon” works for a finite moment-in-time type of disaster—an earthquake, a tornado, or even something that lasted longer like Hurricane Katrina or 9/11 and their aftermaths. Most good novels about those kinds of events come later, after a writer has had time to process something so overwhelming. Time to let it marinate, to seep into the subconscious and come out again, emerging in a written work that adds something new and unique to the conversation.
But this … this is a drip-drip-drip of a disaster. Will we really wait all that time after it’s over to start producing novels about it? I don’t know that a lot of us can wait. Writers gotta write. We’re hardwired to process things with the written word. And now that many of us are stuck at home with nothing else to think about all day, I’m going to wager that there will be books published a lot sooner after this horribleness ends than those after previous tragedies.
Will I be one of them? I don’t know yet. But I’m definitely thinking about it.

Thursday, November 21, 2019

Gurl, be a Man!




Look at this charmer, sitting there in his straw hat, amidst the taupe-tiled spotlit minimalist bathroom of his graciously appointed midtown apartment and displaying his collection of male cosmetics.

Kyle Lee (for it is he) popped up on my Twitter feed this week, on what happened to be International Men’s Day.

Now, I need to be clear here: He – and his odious little quote – popped up on my Twitter feed. And I got angry. I rarely get angry on or about something I see on Twitter these days, and I try very very hard (and of late pretty successfully) to avoid becoming part of any of the Twitter torch-wielding outrage mobs.

But as I sat reading how Kyle – in an article with the New York Post about the increasing market for male cosmetics – commented that he would “be embarrassed to go to the makeup department in Bloomingdale’s because [he]  think(s) it screams ‘gay’ or ‘feminine’” – I got angry and I allowed my righteous anger to encase me like a tea-tree and geranium-scented seaweed body wrap.

Kyle, the article proceeds to announce, is “a hat designer who runs his own brand, He is gay but says that he doesn’t like being stereotyped”.

And to that – while still angry, and before I’d had a chance for a more considered response – my only reaction was: “Stereotyped? Afraid of being Stereotyped? GURL, I KNOW YOU’VE GOT A MIRROR. TAKE A LOOK IN IT COS YOU ARE FAR LESS CHARLES INGALLS THAN YOU ARE NELLIE OLSEN!”

Then I realised that (a) I was being vitriolic and (b) most people won’t get my Little House on the Prairie references, because most people weren’t stuck indoors watching reruns of the show from the ages of six to sixteen because going outside meant there was a good chance someone would spit at you, throw something at you, ignore you, laugh at you or just call you a Pansy with the tone of disgust that, to this day, makes my stomach clench with a mixture of anxiety and fear.

And you know what else that tone used to cause in me? A wave of self loathing.

And that, quite frankly – that self-loathing – is evident in Kyle’s comment. He thinks being ‘gay’ or ‘feminine’ is something to be ashamed of. Because the world has told him, since he was a little boy playing Milliner while the other boys were playing fireman, that ‘that’s a girl’s job’ or ‘those are girls’ toys’ and he’s – despite the fact that he claims to be an out Homosexual (though the words ‘and proud’ are oddly missing from his description in the piece) – still, deep inside himself, is aware that he’s, at best, silly, and at worst, disgusting.

And that – once I got over the anger that someone who looks like the Mayor of Gaytown could actually say something so stupid – made me quite sad.

It was international Men’s Day, a day when we were encouraged to consider what it means to be a man, and to reflect on both the positive elements of being a man and the negative. But I found myself thinking about what it means to be ‘feminine,’ and why that would be perceived by someone like dear Kyle as something unpalatable.

Cos we all know this isn’t just men. Girls, too, are constantly shoehorned into preconceived notions of what it means to be a girl or to be feminine. Like baking and pink unicorns, you’re a little princess. Express an interest in wearing boots and growing up to be a vulcanologist, you’re… less so. But whilst society has expended a fair degree of energy on trying to address this gender stereotyping where girls are concerned, there’s still a message sent to boys that to be anything other than a rufty tufty manboy is a cause for concern.

In my life, I have had female role models who went out to work for their families and brought home a wage; who fought like lionesses for their pride and for what was right. My father was a stay-at-home parent for many years, making breakfast lunch and dinners for my brother, mother and I, and who took the time to sit with me and do my homework. They were people in an economic situation that forced them both to take on roles that neither had expected they would when they were growing up.

But they took them on, because they were pragmatic, loving, and giving, and because they were a partnership. They cared about their loved ones and they cared about themselves, and they saw nothing embarrassing, nothing shameful about being who they were and doing what they needed to do.

But poor Kyle, and people like him – and I include myself in that – are… well, some of the more discredited psychological opinions on homosexuality used to assert that it was a result of a retardation of emotional and or sexual maturation. We never really grew up, therefore we were never really able to leave same-sex crushes or sex for pure pleasure as opposed to the concept of sex as the means of procreation, behind us.

Bullshit, of course, and yet… and yet there is an element of truth (there’s an element of truth in most things, except in any statement that begins “Donald Trump is a Genius because…). The pervasive childhood linkage is one of abuse. And we never leave it behind.

If you’re told every day, either explicitly or via the fact that your culture, your world simply does not reflect you, that you are less than, that you barely exist, it’s easy to retain, for the rest of your life, a strand of that “Worthlessness” running through your DNA.
It’s a scar, and like physical scars brought on by childhood physical abuse, it will probably never entirely vanish. But you can learn to see it for what it is: a reminder of how things used to be and not of how they have to be forever. Someone with a physical scar can look themselves in the mirror and know that they are stronger and more beautiful for having survived and thrived from that trauma, or they can hide in dark rooms hating their appearance and avoiding people who might see the scar. They can liberate themselves from their past, or they can allow that scar to become a whole new form of abuse – self-perpetuated abuse, this time.

And those who bear the spiritual scars of the jeering mocking hatred of a society that tells boys ‘it’s shameful to wear makeup’, or ‘it’s disgusting to want to hold another boy’s hand’  can be the same. They can see it for what it is, or they can allow that shame-scar to make them embarrassed to be seen as “too gay”.


And yet. And yet.

I was afraid of being ghettoised. I wanted the books to be seen as ‘not just gay’. I was afraid I would be looked down on by the industry or that I would lose out on opportunities if I was ‘the gay one’, or that all I would ever be allowed to be was ‘the gay one’.

Can you see where this was coming from?

Somewhere deep inside of me – so deep I’d basically forgotten the cavern even existed – voices were telling me that “Gay” wasn’t as good as “Straight,” that being seen as only a “Gay writer” would be limiting, that being “the gay one” would, in some way, make me less than the other writers I knew.

I was Kyle Lee (minus, it must be said, the natty chapeau, but have you looked at the price of those fucking things? All I’m sayin’ is Kyle doesn’t need to sell many of those each month to pay for his taupe tiling and selection of cosmetic products). I was Kyle Lee and it took a lot of therapy and a few tragedies for me to realise what I truly hope he discovers soon: Nothing* you do is ever shameful if what you are doing is being an authentic open version of yourself.

Full disclosure: I have a spotlit taupe bathroom, a cupboard full of products (Kyle, girl, call me: I got some coupons for the Shiseido counter at Bergdorfs) and a pre-disposition to hating myself because I was trained to.

But you know what? I try to love myself, and I try to love other people, no matter how masc, femme, fat, thin, black, white, latino, asian, bald, hairy, camp or butch, dull or sparkly. Because if we – LGBTQI people – are ever going to stop the world hating us, are going to stop politicians and bigots trying to destroy our pride and erase us once more, we have a long and constant battle on our hands, and it’s going to have to start close to home.

(*within, obviously reason: I mean, shopping for foundation and powder is not shameful; wearing white after Labour Day ought to be grounds for a justified Homicide defence).




***


Derek Farrell is the author of 6 Danny bird mysteries. “Death of a Diva,” “Death of a Nobody,” “Death of a Devil,”and  “Death of an Angel” can all be purchased from the usual e-stores or directly from the publisher here. The fifth, “Come to Dust,” is available exclusively as a free download from his website . The sixth - Death of a Sinner - is a Fahrenheit69 Tete Beche Novella and is published in a joint edition with Ko Perry’s “Everything Happens.” It can be purchased here


His jobs have included: Burger dresser, Bank teller, David Bowie’s paperboy, and Investment Banker on the 80th floor of the World Trade Centre.

He’s never off social media and can be found at.
Twitter: @DerekIFarrell (twitter.com/DerekIFarrell)
Instagram: Derekifarrell (www.instagram.com/derekifarrell/?hl=en)