Saturday, October 24, 2020

The Freedom to Change: The Haunting of Bly Manor


by

Scott D. Parker

Two years ago, Mike Flanagan delivered The Haunting of Hill House, a horror show with a great emotional center I never saw coming. Now, in 2020, we get a spiritual sequel in Bly Manor, and Flanagan has pulled off a wonderful feat: daring to be different.

Unlike Hill House, I kind of predicted Bly Manor would have a nice emotional core. In that, I wasn’t disappointed. It was exactly that and more. But where Hill House was a horror show—complete with mystery and jump scares—Bly Manor dares to be less a horror show but more like an eerie tale of menace.

Loosely based on Henry James’s The Turn of the Screw—a book I’ve never read—Bly Manor is narrated in the present day by Carla Gugino to a small group of people. She tells the story of Danielle Clayton, a young woman who, in 1987, takes a job as the live-in nanny/teacher for a pair of children—Miles and Flora—at Bly Manor, tucked away in the English countryside. Rounding out the small group is the housekeeper (Hannah), the chef (Owen), and the gardener (Jamie).

Oh, and the ghosts.

That’s not a spoiler. It’s what you’d expect from a story taking place in a giant manor house. But who the ghosts are and why they’re there, that’s the mystery.

I’ll admit I haven’t watched Hill House since it debut in 2018 so I cannot remember all the intricacies. But I do remember some of the jump scares and genuinely terrifying moments. I expected that here as well.

Flanagan, however, had a different idea. Instead of manufacturing simple scares just to make viewers jump, he crafted a well-told story over nine episodes (one less than Hill House). The story’s leaner and swifter, pulling you along nicely.

We get a good dose of flashbacks and present-day action doled out in just big enough scoops to make the mystery tantalizing. My wife had recently see a filmed version of The Turn of the Screw so she knew a few plot points going in, but I didn’t. All I did was let the story wash over me.

The actors were stellar. A few of them—Henry Thomas, Victoria Pedretti, Oliver Jackson-Cohen, and Kate Siegel—also starred in Hill House. It was good to see them again. But the newcomers were just as good. Benjamin Evan Ainsworth, who plays Miles, can turn from innocent child into something else on a dime. That was unnerving. Another standout T'Nia Miller who played Hannah the housekeeper. There was always something buried just underneath her skin, and Miller was outstanding at her portrayal, especially episode five. And the scenes where she and Rahul Kohli (who played Owen the chef) interacted were very good.

It was probably around episode three or four that I realized Flanagan was doing something different with this new show. It wasn’t as scary. True, there was a palpable sense of foreboding, but not scary. Initially, I wanted the scares, but then I was content to watch the show he made. The longer the show went on and I finally noted what Flanagan had done, the more impressed by it I was.

Sure, Bly Manor could easily have just been Hill House 2 with even more jump scares and more lurid stuff, but that’s not what he did. He told a different kind of story, and I’m really glad he did. It let us viewers know that for however long he creates stories like this, they won’t just be cookie-cutter shows. They will be distinct stories with a similar, but unique style.

And it makes me even more excited to see what he comes up with next.

Thursday, October 22, 2020

Whispers with Beau

 


This week, Beau takes at look at WHISPERS IN THE DARK, the 2018 novel from Laurel Hightower.

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Rose McFarland is a trained killer--a Memphis S.W.A.T. sniper with a secret. Her team knows about the burn scars that lurk under her clothes, a legacy of the house fire that killed her father and brother sixteen years before. Her supervisors know that she spent two years in a rehabilitative facility, healing and learning to cope with the emotional trauma of the fire. But no one knows about the visions that drove her there, angry spirits that consumed her childhood, alienated her from her family and made her doubt her own sanity--the Whispers.


When Charlie Akers, a half-brother she never knew, ends up on the wrong side of Rose's rifle, she unwittingly sets off a chain of events that puts her family in the middle of increasingly dangerous paranormal visitations. Charlie won't stay dead, and soon ghosts from Rose's past are creeping back into her life. People she's killed in the line of duty, family she thought long buried, every one of them under the influence of Rose's greatest fear, the Whispers themselves.

As the walls between our world and the world of the dead grow thin, Rose will have to face her old nightmares to stop the Whispers from breaking free. If she can't, it won't just be Memphis that falls to the dead--there will be no safe place left on earth for the living.

More >>





Sunday, October 18, 2020

That's a Wrap

SACRAMENTO—We did it. A virtual convention. And last night was the final piece—the live awards ceremony. And a million moving pieces (multiple Zoom rooms, different audio feeds, camera angles, monitors, cue cards, and fuzzy slippers) fell into place. As did everything else.

We had a packed crowd at Virtual Bouchercon 2020. They attended from home, obviously, but that had benefits. We had people join us who wouldn’t have been able to otherwise, from readers stuck at home due to health concerns to writers like Ian Rankin, who joined a panel from his home in Edinburgh, Scotland.

It was sad not to have the typical gabfests that take place in the hotel bar and lobby at a normal Bouchercon, but a wonderful thing happened. People adapted the space they had. They turned the chat function on Zoom panels into a combination of Q&A and cocktail party chatter. The panelists became more involved in the questions than they are at an in-person event, and audience members could greet one another without interrupting anything that was going on with the panel discussion. One commenter said: “chat is the new bar,” and he was so right.

I’ll leave you with a few photos. I’m so proud of our team, and so, so grateful to the mystery community for a wonderful two days.

Getting the microphones ready.

Rae James and Michele Drier, the 2020 co-chairs, and all-around superheroes.

Presenting the Anthony Award for Best Anthology to Shawn Reilly Simmons and Verena Rose.