By Claire Booth
I’m currently plotting my next
book. I don’t mean plotting as in story ideas. I mean getting out a map and
figuring where to put things.
This part of writing always
brings up questions that can get trickier than whether my character should live
in Oakland or Berkeley. The most consistent is whether I should stick with
reality or make something up. The answer varies depending on the needs of my
story—and my need not to get sued.
If the scene calls for a bustling
restaurant in a busy commercial district, I’m probably safe using a real one if
my characters are having a nice meal while gossiping about their co-workers. If
they need to find a dead body—or worse, a rat infestation—I’m definitely better
off making up an eatery and being vague on the location (the crowded restaurant
was on Solano Avenue).
The same goes for where characters
live. It’s not advisable to use an actual address, but saying “The house was a
restored Craftsman on Elm Street” will work fine, unless Elm Street has only
one Craftsman that can be easily identified in real life. If that’s the case, I
can broaden it: “A restored Craftsman in the South City neighborhood.” Or I can
consider making up an entire street. This can be really freeing—I can set an
apartment building on fire, or turn a house down the street into a drug den, or
do anything else I need to help advance my story.
Sometimes, though, real buildings
are necessary. Maybe a story absolutely has to have a character live, say, in
the famous Dakota apartment building in New York City. In a situation like
this, I would probably make up an apartment number. That would get me a real
place with just enough distance for fictional freedom.
Sometimes I really have to search
for what I need. My current hunt is for a deserted, middle-of-nowhere location
that still is within a specific distance from my character’s home. This is
turning out to be tougher than I thought it would be. (And yes, I realize I
wouldn’t be having this problem if I hadn’t set the book in the
seven-million-resident Bay Area.) So for this, I dusted off the real, honest-to-goodness
paper maps. For me, they work much better as I spatially orient myself. They’re
also wonderful for writing on, which makes it a lot easier as I go back again
and again the further I get into my manuscript.
When you write, how do you decide
on your locations? Do you fictionalize? And when you read, do you check to see
if the locations in the book are real?
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