A True Crime TV Appearance

 

By Claire Booth 

Almost exactly a year ago, I taped an episode of City Confidential, the A&E show that spends an entire episode on one crime and the ripple effects it has on a community.

They asked me for an interview because I wrote a book about the case they decided to feature. The False Prophet: Conspiracy, Extortion and Murder in the Name of God covers the five murders committed by a Bay Area man who claimed to be a prophet of God. I covered the story as a newspaper reporter, and it was so convoluted and complicated, I always knew it would take a book to explain it all properly.

Because it’s such a bizarre case, multiple TV shows have featured it, and me, over the years. City Confidential was definitely one of the most professional productions I’ve participated in. It was a pleasure to work with their producers and crew.

I’ve had to keep my involvement under wraps until the air date was announced. I just found out this week that the episode, “Marin County Murders,” airs at 10 p.m. Eastern/7 p.m. Pacific, this Thursday, April 6. I haven’t seen any footage, so I’ll be seeing it for the first time, too. And if that sparks your interest in the case, you can buy The False Prophet here for a special sale price this whole next week.

 

 

Jessica Fletcher: Feminist Icon?

 

How could I not love a character that sits at her kitchen table writing a novel?

By Claire Booth

Twelve seasons. Still in reruns. Still comfort food TV. And all because of Angela Lansbury. Lansbury died at age 96 last Tuesday, many years removed but forever connected to her role as writer/sleuth Jessica Fletcher.

Murder, She Wrote ran from 1984 to 1996 and starred no one but Lansbury. Sure there was the irascible sheriff and the goodhearted town doctor, but they were merely recurring guest stars. It was Lansbury who owned the screen, taking what could’ve been a stock role and turning it into something special.

There are still best-selling books being “written” by Jessica Fletcher (actually by Terrie Farley Moran and previously Donald Bain and Jon Land). These were at my local Barnes and Noble yesterday.

That a highly rated show belonged to a middle-aged female character who was unabashedly smart while still allowed to be kind and humorous—well, that would be rare in this day and age. It was flippin’ amazing in 1984. The character wasn’t forced to be either a femme fatale or a dowdy spinster. She sometimes got flirted with by appropriately aged men and wore sensible pumps while showing a little leg, if the occasion warranted it. She made her own living and traveled the world. She didn't have to pack any weapon other than a heavy handbag.

She, in the ultimate fantasy for women everywhere, got to be all these things and successful, too.

So is it any wonder that the show lasted a dozen years? And that people, especially women, speak of it—and Lansbury—with such fondness. Not, I would argue, because she felt like a favorite aunt but because she created a feminist role model. Which made her one in real life, too.

"Jessica Fletcher was probably about as close, not to me, but to the sort of woman that I might have been, had I not been an actress." --Lansbury, in a 2010New York Times video interview done with the understanding it would not be published until her death.