Showing posts with label equality. Show all posts
Showing posts with label equality. Show all posts

Thursday, June 4, 2020

The Things You Remember

It’s funny what you remember – and what you forget. Especially on days when the world shifts.

I remember growing up in Dublin. I remember being surrounded by love; my family was a small unit, but a solid one. It was us against the world and the weapon we had to protect us against whatever the world threw at us was our love for each other.

I forget when I first knew I was gay.

I do remember when kids told me I was a sissy, a pansy, a poofter, a Nancy boy, a faggot.

I remember spit on the back of my black wool duffel coat; huge green globs of it left there by kids who’d followed me home from school, who were calling me names and challenging me to react.

I remember the fear all the way home, and the shame of having to explain the mess to my parents without telling them why the mess was there.

I forget how I survived growing up in a culture where people like me were either invisible, or there to be laughed at, spat on and abused

I remember leaving the place I grew up in and going where I could live the life I wanted to live.

I forget when I realised that, although you can leave the place you grew up in, that place is going to be with you til the day you die.


I remember my pride when Ireland – the backwards, priest-ridden country I’d left – passed a law that finally – more than a century after English law instituted it, and almost thirty years after Britain had repealed the law – decriminalised Homosexual activity.

And I remember, in a way that makes me cry even as I type these words, the twenty-second of May 2015.

The Irish government wanted to repeal the section of the constitution that described marriage as being exclusively between a man and a woman. There was overwhelming interest in the country – both pro and anti – in the topic, but one of the problems was this: The terms of the constitution, designed to prevent future governments enforcing amendments against the wishes of the population, expressly stated that no such amendment could be made without the majority of the electorate voting in favour of it.

So Ireland, this country which in my adulthood had moved from socially conservative – not to say repressive – to finally honouring the equality it promised in its declaration of independence, had a problem: Human rights would have to be voted on.

And this was a huge problem and a huge risk. Imagine if slavery was something that could be repealed or allowed to remain based on the wishes of the majority. Imagine if Universal Suffrage – the right for everyone above a certain age to vote, regardless of their wealth or their gender – had been decided by a male landed gentry that had a vested interest in keeping women and the working class disenfranchised.

Imagine how these issues – which we now see as some of the key Human Rights discussions in Western History – had been put to the vote. Human rights – the very equality enshrined in the Irish constitution – was being voted on. A “No,” would cause a crisis for the government and – for people like me – deliver a clear message: You’re not one of us. Some of us might be alright with you, but most of us are still the boys jeering and spitting.

But a vote had to be had, and – as you might expect – the fight was on. But this wasn’t just a skirmish. This was a War. On one side, for the soul of a country and, on the other, for the freedoms and right to equality that had been promised one spring morning in 1916.

And for me, it was a battle against the boys who spat on me, the teachers who told me I was lesser. On the people – the ones I’d met and the ones I’d never meet – who had made it clear that they viewed people like me as unnecessary, degenerate, worthless.


On a blisteringly hot day in July 2006, in a town called Midhurst, the shy boy I’d met in a disco in 1990 and I got civil partnered. My whole family. His whole family. People who’d flown in from almost every continent on the planet, attended our wedding and I cried through the whole thing because I realised at the exact moment they opened the doors and the two of us started walking up towards the officiant that I’d been keeping one thought locked inside my whole life:

People like me were never going to have this. We might love, but we’d never be loved. We might find someone to be with, but what we had – what we were – would never be celebrated.

And here it was.

And yet. And yet. It wasn’t marriage.

The spitting boys were still able to sneer and remind me that I was not the same as them. Not as good as them. Not entitled to the same joys as they were.

Then Ireland announced the Marriage Equality Referendum.

Just as my life fell apart.


My mother had been ill for a long time. I’d convinced myself that a long life of illness awaited her; that we’d adjust the pace of her visits to my husband and I, but that she’d be back for Christmas like she always was. Then, at least I wouldn’t have to argue with her about who was cooking Christmas Dinner. But from the end of the summer before it had become serious.

COPD, then cancer. Pneumonia. Sepsis.

And I was still planning Christmas. And she was still going to be there. And it was all going to be alright. And it was impossible – absolutely fucking impossible – that it would all be anything other than alright, because I was doing everything I could to make it be okay.

I wasn’t praying; I’d stopped praying a long time ago.

But I was working; I was planning. I was cleaning and visiting and doing. I was fixing. My whole life – even as the spitting boys in my mind told me how worthless I was – I found worth in fixing whatever needed fixing.

Except, here was something I couldn’t fix.

And so the Marriage Referendum war went on largely beyond my tunnelled vision. I knew about it, but I couldn’t look at it. I posted Facebook posts and I tweeted, and I cried my eyes out when Panti Bliss took the Noble Call at the Abbey Theatre after right-wingers had turned on her and homophobes had been allowed to explain what people like Panti were – and weren’t – allowed to call homophobia. But what could I do? I couldn’t fix the biggest crisis in my life. I couldn’t make it right.

And I couldn’t bear a “No” vote. I think that would have done for me. I think the spitting boys would have overpowered me at that point.

So I let it happen, remotely. Until the day of the vote.

I was working at an Investment Bank in Canary Wharf in London. Like most banks, they block access to almost all social media via the company systems. And so I had my iPad open on my desk from 0700 when I arrived. I had Twitter open. I surreptitiously hit refresh. I refreshed again. I found the #HomeToVote tag.

I hit refresh. Repeatedly.

I cried. Oh Jesus, how I cried. At my desk. Without shame. Without fear. With pure joy.

People came back. Voters flew in from every corner of the globe. <Inner editor’s note: Do globes have corners?><Authors note: Fuck you Sharon. You’re not the boss of me. I’m giving this Globe a series of corners> People took trains planes cars. They hiked. The national airline had to add extra flights.

And I kept crying. Because– despite my already being Civil Partnered in England – this still really really fucking mattered. No other boy was going to feel as unworthy as I had.

But we might lose. What if all those returnees were outnumbered by No Voters? What if my homeland once again chose to tell me I was not entirely worthless, but Worth Less? What then?


Two stories I keep close to my heart but I want to share here today:

My dad. Paul. Mid morning. Walks from his house to the post office to get his pension. He’s going to vote then go to visit my mother in hospital. He walks from Leonards Corner up the South Circular Road past Griffiths Barracks.

It’s a bright sunny late spring morning. He passes what used to be the South Circular Road Synagogue on the right, past the Dublin Mosque on the left, and he turns right, at a crossroads, onto Donore  avenue. As he passes the old Church of Ireland Chapel, he’s thinking of his vote.

Then something slaps his hip. Hard.

It can’t be a bullet, though it feels like one. And as he processes the feeling, his eyes register a car passing him, wobbling away from him, curling into the road he’s on and crashing, definitively, into the bollards in the road ahead of him.

The young woman in the car is being attended to by an army of people who are trying to make sense of the situation, and my father has only one thought: ”I don’t have time to wait; I need to vote.”

So he passes the car. He votes. And only later – much later – does he realise he’s been hit by a car.

Inches another way and he could have been seriously injured. Or worse. The car was travelling at speed. Lives turn on moments like this; worlds shift, and what happened to him – even as he pushed it to one side and focussed on voting and getting to his wife – could have been one of those moments.

He waved it away For my dad, at that moment, it didn’t matter. He had more important things to do.

I called my mother that afternoon. She was in St James’ hospital, and holding the phone was hard, so we’d sorted out the whole answer-then-click-to-speaker approach, and my mother and I talked about nothing. She’d been in hospital for an age, and beyond her room was vague; I was trying to avoid referencing what went on outside, and then she said, from out of the blue:

“We’re voting today. For you.”

And I choked. It wasn’t a vote for me. But it was.

“Have you heard how it’s going?” I asked.

Then, before I could speak, there was noise. My dad arrived in her room, she told him <I imagine she gestured at the phone on the side> that she was talking to me, my dad said “Hello Derek,” and the conversation went something like this…

Me: Hey Dad. Are you okay?

Dad: I’m great. Are you still at work?

Me: I’m home. I left early; couldn’t focus with the vote bothering me.

Dad: <confused> Vote? Oh, OUR vote.

Me: Yes, Your vote. <worried> I hope you voted.

Dad: <Pause> Of course I voted.

Mam: Did you do one for me?

Me: And I hope you voted the right way.

Dad: <chuckles> I voted the only way. Of course.

Me: <chokes>

Mam: <to Dad> And did you put one in for me?

Dad: What?

Mam: Did you post a big yes for me?


Dad:<used to years of my mother’s desire being something he could deliver against> No.

Me: Mam-

Mam: Well they’re not closed yet, are they?

And what follows, via the medium of smartphone, and with the acoustic of a St James’ Hospital room, was a discussion on the concept of voter fraud versus voter intent.


She didn’t get to vote, and a little over a month later she was dead. But my mother got to see the moment. Got to see the change.

And the spitting boys? They didn’t go away, but I learned to turn around and face them. And their sputum right in my face is easier, because I know that the small unit; the family that was us with love against the world, has grown. And now there are thousands of us, who will fly or sail or rail or travel from wherever to be with me.

And I’m mostly good.

The day after the vote I went to lunch with my mate Warren. I still remember we had the most unbelievable short ribs I have ever had. The waiting staff were the most beautiful people I’ve ever seen outside of Tel Aviv.

I remember smiling at them and loving the food.

I remember chatting to Warren about how important the vote was to me.

I forget when it became obvious that my mother would not recover.

I remember the day she died, a little over a month later. And I remember that a month after that David and I – lost and shellshocked and still reeling – converted our Civil Partnership into Marriage as our families and friends surrounded us with Love.

It’s funny what you forget – and what you remember – but here’s what you never forget: LOVE.

And that day in May 2015 LOVE won. The whole country came out in love. People came home from every place they could to vote yes.

I will never be able to forget the spitting boys. But it’s okay, because I will always remember the day a whole country told me – loudly, clearly, and without equivocation – that I was not only alright, but as good as every single one of them.

I remember that. And I will never forget it.


***





Derek Farrell is the author of ‘Death of a Diva’ ‘Death of a Nobody,’ ‘Death of a Devil’ ‘Death of an Angel,’ and the novella "Death of a Sinner," all published by Fahrenheit Press.

The books have been described as “Like The Thin Man meets Will & Grace.” “Like M.C. Beaton on MDMA,” and – by no less an expert than Eric Idle – as “Quite Fun.”

Derek’s jobs have included: Burger dresser, Bank teller, David Bowie’s paperboy, and Investment Banker. He has lived and worked in New York, Hong Kong, Istanbul, Tel Aviv, Prague, Dublin, Johannesburg and London.

Farrell is married to the most English man on the planet and lives in West Sussex. They have no goats chickens children or pets, but they do have every Kylie Minogue record ever made.

Monday, July 17, 2017

Do Girls Bite?

The latest in First World problems sees the internet collectively losing its mind over a girl.

Some people, it seems, think a girl can't be a doctor. Who knew? In 2017, apparently, there's still a list of what different genders are permitted to do. Online articles pulled responses from Twitter to talk about the backlash.


This brought to my mind The Shield. CCH Pounder's character "Claudette Wyms was originally supposed to be a man, but Pounder's agent called creator Shawn Ryan and convinced him to change the detective to a woman. However, Pounder still requested that none of the original dialogue was changed so her character would be able to "hold her own" alongside other male detectives."

Another thing this brought to my mind was the ridiculousness of people who are afraid to write about people of the other gender. People are people. They all have hopes and dreams and fears and likes and dislikes. There's a male in this house more terrified of spiders than any girl that lives here.

I suppose, for me, the idea of true equality means there's a smidge of hope for acceptance for some of us. If you thought sexism was a thing of the past, you only needed to hit the internet yesterday as people were losing their minds over Dr. Who, but the bench of those who perpetuate gender stereotypes is deep. One place I worked at was a perfect example. They were supposed to champion the rights of people with disabilities, but they had a clear preference for female staff who were cutesy and dumb. A supervisor told me early on that I may have a problem because I'd worked in more professional environments in the past.

If I smiled and laughed a little more and thought a little less I'd do fine.

For real. In this decade.

You know what I say to that? Fuck them.

I shouldn't have to be a bitch to be treated equally, but I also shouldn't have to be a little cute and stupid to be liked as a woman. Yet I still feel this is a reality; it's part of how girls are taught to flirt. It's how they learn to manipulate people to get what they want.

There are no spoilers in the first few minutes of this; it starts with episode 1. The critical bit I was thinking of is from 4:48-5:45 approximately; as Sansa is getting her hair done, she moons over a boy.



It's so typical of what's almost expected of a girl when she has a crush; she loses her mind and rushes headlong into her obsession without thinking things through.

It's actually interesting to watch the bit just before that scene, when the king arrives and greets the Starks. Sansa isn't even a name to him; she's assessed on appearance alone. It is Arya, the rebel sister, the one who is more interested in the sound of a bow than the needlepoint in her hand, that earns her identity with the king.

The author behind Game of Thrones has taken a lot of criticism for how women are treated in his stories, but I find nothing to fault him on. He has female characters, like Sansa, who are trying to fit into the mold of society's expectations. He has other characters, like Arya, who have no interest in conformity. Martin said:

The books reflect a patriarchal society based on the Middle Ages. The Middle Ages were not a time of sexual egalitarianism. It was very classist, dividing people into three classes. And they had strong ideas about the roles of women. One of the charges against Joan of Arc that got her burned at the stake was that she wore men’s clothing—that was not a small thing. There were, of course, some strong and competent women. It still doesn’t change the nature of the society. And if you look at the books, my heroes and viewpoint characters are all misfits. They’re outliers. They don’t fit the roles society has for them. They’re ‘cripples, bastards, and broken things‘—a dwarf, a fat guy who can’t fight, a bastard, and women who don’t fit comfortably into the roles society has for them (though there are also those who do—like Sansa and Catelyn). 

 I think that Gwendolyn Christie pretty much nails her assessment of what Game of Thrones has really done with the female characters.

“This was a television show that would put women at the forefront,” the actress, who plays Brienne of Tarth on the HBO series, says in The Top 10 Game-Changing Game of Thrones Moments, a special on the PEOPLE/Entertainment Weekly Network (PEN). “We were going to explore female characters in a way that conventionally doesn’t happen.”
With characters like Sansa and Arya Stark, Daenerys Targaryen, Cersei Lannister, and Brienne, she says the show’s women are as independent and complex as they are powerful. “They wouldn’t simply exist as the mother role, the girlfriend role, the wife role, or the sister,” Christie explains. “They would be people in their own right.”





If for no other reason, Game of Thrones is actually well worth watching just to see the extent of the character development at work. The women who start out controlled, meek, submissive do not stay that way.

As my husband says, the show is really about the fall of the patriarchy and the rise of the matriarchy, because it's long been clear that the women are asserting control and having the most significant impact on the events that are unfolding in Westeros.

While it's fair for someone to say they aren't convinced about an actor who's earned a specific role, if they refuse to give them a chance just because of their gender, that's sexist.

There's a reason that The Handmaid's Tale entered the pop culture mainstream this year, and has become a symbol of public protests. It's tragic that in this day and age, in the western world, that women working for the White House earn 80 cents to a man's dollar. Not based on credentials. Not based on experience. Based on gender.

This, right here folks, is why my husband has been right in his Disney princess aversion. He never wanted his daughter thinking she just needed to be someone's little princess. He was never so sexist that he called her his princess. She wasn't reduced to being a man's possession.

Instead, they were watching Princess Mononoke.



If western culture is still so backwards that people are financially penalized for having ovaries, then we must cheer for the creators who are putting women at the forefront, showing that they can hold their own and do anything that a man can do. For me, it isn't about dominance. I love a great story about a man; I love writing male characters too.

But thankfully, it's now far more common for people to write about women who are more than some man's eye candy. Those are the women I want to watch. It may be that Game of Thrones is one of the first shows I have a really hard time choosing a favorite character from, but of the top five, only one man makes the list, and it isn't because there aren't a lot of great male characters. The bench is deep, which makes the fact that so many female characters

I personally haven't been a Dr. Who follower in the past, but I say that whether the new actress in the role works on not will depend on a number of factors, starting with the writing, and can only be determined once seen. For anyone that finds it hinges solely on the lead's gender, well, I guess they have to ask themselves why they are okay with perpetuating discrimination.

“And then there’s the whole issue of sexual violence, which I’ve been criticized for as well. I’m writing about war, which what almost all epic fantasy is about. But if you’re going to write about war, and you just want to include all the cool battles and heroes killing a lot of orcs and things like that and you don’t portray [sexual violence], then there’s something fundamentally dishonest about that. Rape, unfortunately, is still a part of war today. It’s not a strong testament to the human race, but I don’t think we should pretend it doesn’t exist... I want to portray struggle. Drama comes out of conflict. If you portray a utopia, then you probably wrote a pretty boring book.”
-- George R.R. Martin

The women on my favorites list have overcome abuse, have overcome rape, have overcome loss. They are not strong women because they've been spared these horrors. They are strong women because they refuse to let others dominate them. They see themselves as equals.

And perhaps, sadly, that's the part of Martin's stories that's more of a fantasy than dragons, because apparently we still live in a world where women need a strap on and flat chest to be treated as equals.