Showing posts with label John Hornor Jacobs. Show all posts
Showing posts with label John Hornor Jacobs. Show all posts

Thursday, November 20, 2014

The four requirements of solid crime fiction

By Steve Weddle

John Hornor Jacobs and I have two things in common. One is that we're both fans of the work of Steven Brust, whose new Vlad Talos novel just came out.

HAWK is, roughly, the eight billionth Vlad novel. If you don't know the series, we're talking about an assassin living among people not-his. This is swords and sorcery. Also, witchcraft, which is kind of a dirty cousin to sorcery and kinda completely different. It's crime fiction, clearly, as we've got killings and gambling and minor wars. But we've also got wars with gods and pouches of gold. And klava, which is kinda like coffee but not.

The first Vlad novel came out in the early 1980s. I found it in the back corner of Waldenbooks in the mall in Shreveport (or maybe Bossier), tucked away in the Sci-Fi/Fantasy section of the store, which has always seemed a weird combination, though the Sword and Laser people seem to have embraced it just fine.

So now, 30 years later, I'm still reading the series. Here's why:

1) Heisty Plans. There's that cleverness in here that comes with some of the best Parker books. You see pieces of the plan and want to know how everything comes together. You're intrigued. You keep reading.

2) Stabby Time. Yes, you get some good action in here. Some of the plans made lead to killings, to assassinations. This moves the story along, but it usually also moves to up the stakes. The violence in the books is pretty tame in its telling, by the way. You get the stabbing without having the author showing off in a way that he thinks is being descriptive.

3) Humor. You get some self-deprecating wisecracks without having it go on too long or get to be too annoying. Think about the best parts of Nelson Demille's John Corey. Gallows humor, too. A snarky familiar. Anyway, as a smartass, I can appreciate this and acknowledge that this was a huge draw for the 1980s version of me.

4) A Character You Care About. I've been with Vlad Taltos since 1983, but wouldn't keep coming back if I didn't like the guy. The thing that brings me to the next book -- to the next page, even -- is my craving to find out what is happening to the guy. You're in his head for thousands of pages, after all.

Anyway, if you're looking for what makes good crime fiction, you could do well following a checklist with those four things on it. Brust does, and it's what has drawn me and John Hornor Jacobs and many other folks to the Vlad Taltos books. Like I said, it's one of the two things JHJ and I have in common. (The other thing isn't very interesting.)

******

PS - You can help get my book banned in Texas.

Thursday, October 13, 2011

Southern Gods- John Hornor Jacobs

By Jay Stringer

First up, a couple of important facts for you to memorise, there will be a test later;

1. JHJ and I have the same agent, which I guess is one of them "conflict of interest" type things, and which almost made me hold off from writing the review.

2. That's irrelevant, because the book is awesome.




"Awesome" is not a word I'm using lightly here. If you type definition awesome into google, then you'll probably get taken to Paul Westerberg's Wiki page. But below that will be various dictionary links that will tell you that awesome describes something that is wonderful, impressive and sometimes frightening.

Here's the bit off the back;

"A Memphis DJ hires recent World War II veteran Bull Ingram to find Ramblin' John Hastur, a mysterious bluesman whose dark, driving music - broadcast at ever-shifting frequencies by a phantom radio station- is said to make living men insane and dead men rise."

That was already enough to interest me in the story, but it doesn't cover the half of it of it. First we get a very dark and bloody detour that sets the tone for the book, strange shadowy things moving at the edge of forests, whispering dark deals to anyone who'll listen. The prologue of the book set's it's stall out strong; this is the voice of the story, and you want to read it.

When we first meet Ingram, he reminds me of a character from another time, another kind of book. He's a Dashiell Hammett character who has somehow wandered into a Lovecraft nightmare. Both brutish and boyish at the same time, he went off to the war to find a purpose but came back without one. If he provides the strength and the drive to push the story along, it's the other characters we meet along the way who really fill in the heart. There's Sarah, the young mother who is fleeing the the slow burning horror of a family-gone-wrong without realising she's running towards a much quicker way of dying.. She packs her bags and her daughter and leaves her husband behind to head home, back to the farm she grew up on and it's big old house full of secrets. Her daughter, Franny, fills the story with it's energy and light, bouncing around the farm land with her two friends, Fisk and Lenora. And then there's Alice, the woman that Sarah wishes she could be, who runs the farm and dishes out love and advice.

The story is built very effectively on mood and suspense, a creeping sense of horror that is the subtext of every chapter and keeps building. But that can only last for so long, but JHJ isn't a writer to pull punches, and when it's time for all hell to break loose, he follows through where many other authors will try to bait and switch.

There are blink-and-you-miss-it references here to some horror touchstones, from Captain Howdy's real name, to the big bad of Lovecraft, and each one is a clear signpost of the impending doom hanging over the story. JHJ is clearly a writer who understands what makes horror tick, because he scared the crap out of me and he did it without clowns, spiders or my credit card bill. There's something here for everyone, but if you're a parent, this book is really gunning for you. It knows what you're scared of.

This is the month when everyone is going to be pushing horror movies on you, when the stores are filled with plastic costumes for your kids to dress up in, and folk start either keeping chocolate by their door or pretending not to be in for the whole month.

But Southern Gods isn't any of that. It's not modern horror with it's rules and roleplaying, it's not wacky costumes, and it doesn't turn horrible beasts into things that glow in sunlight and romance teenagers. It's a book that understands that bad things need to happen to good people, and that all of us are defined by our fears in some way. You'll find yourselves stopping and scratching your heads, this can't be the work of a debut writer, surely? Not with such a firm grip on plot and character, not with such a strong voice? Not unless he's been making any deals with dark forces that step out of the woods...

I have the audio book to get through, perfect for a long train journey I'm making next week. I'll let you know how that goes, but it was important to read the book first.



Monday, November 15, 2010

Ebooks: A Whole New Playing Field

By Steve Weddle

Yesterday, Joelle Charbonneau took a look at the books that pass through the gates of the publishing industry versus those that go straight to the reader. Her insightful post is here.

Joelle, whose delightful debut novel was published by Minotaur (a Macmillan imprint), was using the recent Amazon pedophile ebook horror as a jumping-off point. And, speaking of Joelle's publisher, the Weddles picked up a number of Macmillan/Minotaur titles at the bookfair this weekend. Duane Swierczynski. Ken Bruen. Ian Rankin. How cool is that? I love these folks. Heck, I think the only book I got that wasn't from Minotaur was a Steven Brust novel on Tor. Hooray for Minotaur.

Joelle's argument about having editors and publishers help select what goes to market is a solid argument. I'm glad Big Publishing decides what goes to market, how many are printed, and how they are distributed. If not for that, I wouldn't have been able to get 32 books for about $30 yesterday. All hail the marketplace.

I picked up a handful of Scott Wolven books at a bookfair this year. Some copies of John McFetridge's Dirty Sweet, too.  And some Jim Thompson. And a ton of those fancy re-issues of Nabokov that Vintage did. You know, the ones with the expensive, pretty covers.

And if I'd wanted to build a bridge from here to Terabithia with copies of Franzen's new literary masterpiece, I could have done so at the bookfair for right around nine dollars.

Having so many books available from big publishers is great.

I'm not here to bury Caesar; I'm here to say that Brutus guy has some cool ideas, too.

Check out Chris F. Holm's fantastic short story collection, 8 Pounds. Chris took his award-winning and published stories, edited them for the Kindle format, got a gorgeous cover from John Hornor Jacobs, and started selling that ebook on Amazon for 99 cents. The book contains the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine. You can't do that with big publishers. Why? Because Traditional Publishing tells us that short story collections don't sell. Except, you know, they do. Because I buy them when available -- as 99 cent downloads. And you buy them. Chris has been selling the Kindle collection pretty well as word of mouth keeps them moving. And he doesn't have to pay to print 10,000. Or have them stored in a warehouse. Or have them shipped to a bookfair in nine months to sell for a dollar each.

How about Discount Noir, a collection Patti Abbott and I put together with stories from more than 40 fantastic authors? Flash pieces about blood and murder in a big discount store. No big publisher wants that. A book of 45,000 words? That's tough to move off the shelves. Unless there are no shelves.

Traditional publishing works great for many things. I was in a bookstore last week just walking around, not planning to buy anything, and picked up Daniel Woodrell's Tomato Red. Without the physical store, I probably never would have run across the copy. But, dang, what a good book. Hooray for Busted Flush Press. And hooray for traditional publishing

Ink on paper works great. That's one reason we started Needle: A Magazine of Noir. Because the physical book is still a wonderful thing. And the big houses and the independent publishers know how to make this work.

But, you know, once we decided on the national level that all our citizens needed to be able to read and write, we pretty much opened things up for self-publishing. Everyone writes.

Just ask Charles Bukowski:
"and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.
he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems."


Everybody writes and everyone can put out ebooks. Fine. Everyone can make pizza, too. Doesn't mean I wouldn't rather have pizza from Vinny's than that crappy canned-sauce spread on canned-dough crap you and your kids made for "together time" last weekend.

The point is this -- Having ebooks as an option seems pretty cool to me, especially for those collections that traditional publishing doesn't want to handle. This allows us a Chris F. Holm collection. Discount Noir.  A really cool sperm-bank-thieving collection from our own Byron Quertermous. And John McFetridge's own excellent collection of stories here. (pdf download)

Are ebooks the solution? Heck, I'm not sure what the problem is. Ebooks aren't the reason all those people got fired when Dan Brown's new book was late. The problem there was that publishing is set up for the next bestseller, not the mid-list authors. This isn't news to anyone. This is How It Works, you know? If I'm the next bestseller, that's how the damn thing should work.

But the other way it works now is this -- if Chris F. Holm wants to collect his stories, now he has a way. He can do that himself, relying on the quality of the work, the prior periodical publication of those stories, and word of mouth. And that works out just fine.

Traditional publishing is great for so many things, but we're in a time now in which ebooks offer us options that we have to be ready for, another outlet for books traditional publishing isn't interested in.

Oh, one more thing. The Do Some Damage collection of airport stories is available this week -- for Kindle over at Amazon. The book is called TERMINAL DAMAGE and you might be able to find it here. I uploaded this ebook on Sunday and it will take until Monday to become available. Which seems like a long time, you know, in the ebook world.

Sunday, May 30, 2010

Add to your reading list with FREE goodness

By Steve Weddle

We're observing Memorial Day weekend here in the states. The holiday was originally called Decoration Day and set up to honor fallen Union soldiers after the War of Northern Aggression. Following the War to End All Wars, the holiday was changed to include all our dead soldiers -- even the Confederates, presumably. I have soldiers all over my family tree. My father served during the Vietnam War and lived to talk about it. Some weren't so fortunate. Not that our fallen soldiers are reading this blog, but, you know, thanks to them.

Speaking of reading this blog, I doubt this is a weekend of heavy traffic. From honoring the war dead to grilling with your family, you could be doing many other things. Including reading some really cool stuff on the innerwebs -- for freesies.

I want to make sure you know about a few really cool books that exist complete or in part on these same innerwebs I'm communicating to your from.

John Hornor Jacobs, an Arkansan good with the art in NEEDLE, has a good start of his fancy, ass-kicking Western THE INCORRUPTIBLES, his "wester/fantasy/steam-punk" slice of brilliance.

We rode through fields burning like the plains of hell, Fisk on the black, Banty on the roan bay, and me on Bess, the mule, leading a string of ponies. We came up from the delta and the lush watershed of the Big Rill through the edge of the farmlands. Settlers worked the fields, shovels in hand, throwing dirt on the fallowfires. Poor folk, eking a living off the land.

"That aedile wants another hunting expedition, they'll be floating his body back to New Damnation," Banty said, low and through his teeth.

Fisk sniffed, glanced at the smoke billowing above us, and then back out over the Big Rill's sun-hammered silver. No one moves the way Fisk does. Slow and deliberate, each gesture languid and relaxed. Until it isn't.

The Cornelian churned the waters, bragrags whipping in the wind, steaming upriver, while we kept pace. Fisk and I took the escort contract from Marcellus out of New Damnation, but the aedile's tribune saddled us with Banty, the greenhorn, who was good for nothing, except big talk and no action. The tribune wasn't a bad fellow, but even good folks make mistakes.

Fisk watched the Cornelian, the sky, the land. He remained still but his eyes never stopped roving, grey eyes, bleached by sun and years in the elements. Partners for the last decade and I still didn't know anything about the man, other than scraps and pieces. Had a family once. Could shoot out the eye of a sparrow on the wing. Feared no man, nor Vaettir. No rest until the stretchers are gone from the earth. He hated them with passion only reserved for Gods, dangerous women, and whiskey.

Head count conscripts milled about on the boat's galleries, staring out into the West, no doubt scanning the horizon for stretchers, terrified. Up on the top deck in the shadow of the pilot's roost stood an an umbrella, and the frill of patrician women. The stacks, daemon fired, blew ash and cinder skyward as if answering the flames of the fields.

Fire calls to fire, they say. I believe that.

From where I sat on Bess, I watched the other scouts, Sharbo, Ellis, and Jimson riding the western shore, stirrup high in fallow growth. No farms that side of the river, so close to the mountains. Stretchers come down, raiding.

Fisk said, slowly, "How you figure, Mr. Bantam?"

Banty put a hand on his pistol, a Hellfire .32 with Imp rounds. Sure to sully his soul, but deadly.

"I'll kill him."

Fisk glanced at the young man, taking in the rumpled uniform, the tight grip on his pistol.

"You might be stupid enough, at that."

--

Another great piece of writing is growing each day on the innerwebs. Dan O'Shea has hooked up his treadmill to power his laptop (or some such craziness) and is running it full of juice and jabs to the gut. His GRAVITY OF MAMMON is already a few dozen chapters in. Here's how it opens.

Nick Hardin never thought his first Hollywood party would be in a big-assed tent on the Chad-Sudan border, but here he was, nursing a gin and tonic, hoping he’d set things up far enough west that he was out of RPG range in case some Janjaweed punk got a bug up his ass. Fucking Mooney and his do-gooder shit.

Hardin had run into Jerry Mooney in Khartoum almost a year back. Darfur was heating up as the PR play of choice for socially conscious Hollywood types looking to bump up their Q scores. Hardin was heading out on his usual fixer gig for one of the networks. Same gig he’d been running since he got out of the Foreign Legion back in 1996 – logistics on a file footage job. Camera guy, sound guy, some former BBC face with the right kind of public school accent and safari guide outfit. Get 10 or 15 minutes in the can from the hell hole of the week so Nightline’s got something for a slow news day. Run the film, then cut back to the studio where the talking heads and maybe someone from Medicines sans Frontiers or some Foggy Bottom undersecretary could cluck their tongues between beer commercials. A little of the self-flagellation that a goodly portion of the folks that actually watch Nightline like to engage in before bed – helps them sleep better. Hardin’s job? Line up some transport and some security that, when you bought them for a couple of days, stayed bought. Point the talent at the right locations, pay off the right warlords, make sure the face gets his interview without getting his throat cut and the crew gets out without having to buy back their equipment at ten bucks on the dollar.

The face in this case being Nigel Fox. Hardin liked Nigel, and Nigel liked gin. That’s why he was spending his twilight years stringing the massacre circuit when he used to cover No. 10 Downing Street for BBC 1. Hardin had done Somalia with Nigel, Liberia back in the Taylor days. Kinshasha, Rawanda. The beginnings of a beautiful friendship. Hardin waited at the Khartoum airport by the Twin Otter he’d chartered as Nigel walked across the tarmac with his crew, a couple of stoner Italian adrenaline junkies. And with Jerry Mooney.

Hardin had heard of Mooney, of course. Hollywood’s most eligible bachelor. Square-jawed leading man in a maybe dozen chart-topping flicks. Probably more than a dozen – Hardin figured a few had come out that hadn’t made it to the flea-bag cinema down the street from his place in Accra.

“Nick Hardin,” said Nigel, “meet Jerry Mooney.”

“Jerry,” said Hardin, shaking hands. He turned to Nigel. “We still shooting news or are we making a movie?”

“Little of both, old boy,” Nigel said. “Ran into Jerry here at the Hilton night before last. Splendid chap. Shared a bottle of Boodles, and let me have more than half. Anyway, he was headed down to Darfur for a look-see, some video-blog thing for his web site. Marvelously technical, beyond me of course. But his fixer bolted on him, left the poor man stranded. All for one and one for all, of course, so I told him he could pack along with us.”

“Nice of you spend my nickel, Nigel,” said Hardin.

“Hey, Nick,” said Mooney, “Look, I know I’m imposing, and I know you’ve got to make a living. The guy I was supposed to meet up with, he’d said $500 a day, American, plus expenses. Nigel tells me we’re back tomorrow night, so that’s two days. Suppose we say $2500, is that fair?”

Usury is what it was, but Mooney threw out the number. Mooney was starting to smell like the gravy train. With a capital G and a capital train.

“Yeah, OK,” said Hardin.

Mooney smiled. Big, dimpled movie star smile. “All right. Off to the heart of darkness.”

Hardin caught the little smirk from Nigel. They always do that, the first timers. Drop the Conrad on you. But the darkness wasn’t concentrated in a heart anywhere. It had metasticzed into hundreds of tumors. Some, like Darfur, were a thousand miles wide. But most of them were about the size of a qat-chewing 13-year-old with an AK-47.

Nigel waved the Italians back to the truck. “You’ve forgot the bloody gin.”

--

And now for something completely different. Malachi Stone has somewhere close to 84 novels completed. He's just waiting on his checks. Here's the newest one he's posting, NIGHTMARE NUMBER NINE.


“Charred meat gets me hot.” She grinned at him, trying for lewd and crude. The steak joint was nothing special, one of those where they let you throw peanut shells on the floor and every twenty minutes or so they make the waitresses get up and line dance just in case your conversation lags.

His and her conversation hadn’t lagged. He’d never taken his eyes off of her, not once, even though the waitresses all wore tight jeans and skimpy western tops and danced right beside them, practically on top of them in fact, all of them twitching their butts and clapping their hands in rhythm to the country music. He’d ignored them. She was making an extra effort to be vivacious tonight, a rare treat for him. He was eating it up all through dinner.

He slipped a steak knife into his coat sleeve on the way out after leaving a generous enough tip so that nobody’d mind.

He opened the passenger door for her in the parking lot. She turned to slide in and was just starting to smile at him in that open-mouthed way she had—there was a black string of charred meat dangling from her left upper canine—when he put the knife in her, never breaking eye contact.

He put the body in a funny place. Then he drove home and went to sleep. Heavy meals always made him logy.


*******************************************************
The date of my appointment turned out to be the first day Brenda had the saddle splint off her nose. Both her eyes were still black like a raccoon’s but the bruises under her eyes and across her cheeks had faded to the colors of autumn. We both were weary of explaining their presence to every client of ours who’d wandered into the office over the past two weeks. I’m sure at least half of them, as well as most of the attorneys, clerks and judges Brenda and I dealt with every day at the courthouse, suspected me of being a wife-beater. The truth was more difficult to explain, but hardly less shameful, at least for me.


The nurse weighed me before ushering us into a sterile white examining room with a single print hanging on the wall. After a moment some long-ago vestige of my college art apprece course kicked in and I recognized it as William Blake. I pointed it out to Brenda.


"Michael Binding Satan,” she acknowledged, slurring her pronunciation of “Satan.” She still hadn’t had the repair surgery and her speech was affected in a subtle way. “Has kind of a yin yang thing going on, don’t you think? Appropriate for a sleep disorders clinic I suppose.”

“Why’s that?”
“Isn’t it obvious? The one having the nightmare is Satan. He represents the chaos of the subconscious mind. Check out the rictus of terror on his face, the reptilian tail flailing around like Leviathan. And see the Archangel Michael putting a sleeper hold on Old Scratch, getting ready to pin him to the mat? Michael represents man’s consciousness fully awakened, putting the sleep disorder devil under his feet once and for all. Don’t you find it encouraging?”

“I could have used you in first year art apprece class.”

“You’ve used me often enough since then, Darling. And don’t you love it how the pronunciation of college course titles reverts to a pidgin Italian? Art apprece. Or soce for sociology, as in, ‘I sold back my soce book and only got a lousy buck for it.’ Guess I’m more sensitive to pronunciation issues these days.”

“Non lo parlo molto bene,” I singsonged.

“You’re the only person I ever met who took Italian in college. Why, Bosco? Perchè?”

“I needed a language.”

“We all need a language, dear heart. We’re a communicative species. But why Italian? I don’t think I ever asked you that before. It must have been over a cute girl. It was over a cute girl, wasn’t it?”

Brenda was my second wife, Betsy had been my first, a big mistake but soon corrected. Even though I was still working my way through the B’s I knew enough not to rise to that bait. “I wanted to read Dante in the original language,” I told her. Mercifully, the doctor chose that moment to appear.

Addressing Brenda the doctor said, “Looks like you were in a knockout.”

“Thank you for noticing, Doctor, but I’m afraid the man sitting next to me is the patient.”

Still focused on Brenda, who despite her injuries was and is a remarkably attractive woman, the doctor asked her, “So how are you doing?”

“I’m still prone to mouth breathing and am often mistaken for Boris Karloff on the telephone, but other than that I’m hanging in there, Doctor.”

“Nonsense. No one with ears could ever mistake your lovely voice for Boris Karloff’s.”

“You’re very kind. I was referring to my lisp. A temporary condition caused by my deviated nasal septum.”

“I know a good man for that.”

“So do I, Doctor. The problem is finding the time for going under the good man’s knife.”

“Yes, I see from the patient questionnaire that you two are husband and wife attorneys. That must make for a busy and challenging life.”

“Mine’s busy,” I broke in. “Hers is challenging.”

The doctor took a history. From Brenda second-hand, a fact I found rather disquieting. He asked her whether I ever walked in my sleep, talked gibberish in my sleep, slept with my eyes open, or in general behaved like a zombie after bedtime. Brenda answered every question in the affirmative, a fact I found even more disquieting.

“Does your husband ever rise stiffly in bed?”

“I beg your pardon, Doctor?” Brenda replied.

“You mistake my meaning. What I meant was, does he sit up in bed stiff as a corpse from time to time?”

She told him yes.

“And does he often awaken disoriented or confused, or with a blank look on his face?”

“Yes, Doctor. He stays that way all day long, too. Just look at him.”

“I don’t know whether you’re approaching this matter with the appropriate degree of gravity, Ms. Hoël.”

“Gravity? You want gravity, Doc? Try going ten rounds with this one some night. It’s like walking blindfolded into a pitching machine.”

“I only meant—”

Brenda asked, “So what’s the bad news, Doc? Give it to us; we can take it.”

“In my time I’ve encountered enough wives and girlfriends with cracked ribs, dislocated jaws and deviated nasal septa to recognize a case of night terrors when I see one,” the doctor said. He looked to be about thirty and had the air of a driving instructor about him. A driving instructor who spent more time pumping iron in the weight room at Gold’s Gym than he did poring over the medical literature. And even though we were in the examining room I couldn’t help noticing him poring over my wife’s gracefully crossed legs and picturing him pumping her instead of iron.

“Night terrors,” I said. “I’ve heard of those. Isn’t that where you see little green men coming to take you away?”

“Not necessarily. Sometimes they’re more of a teal.” He studied Brenda’s face for any reaction, then lowered his gaze to her right foot bouncing with nervous impatience. “Yes, night terrors, with a generous side order of adult-onset somnambulism. I’m fairly well convinced of my diagnosis, but to confirm it I’m ordering a sleep study. How’s this evening sound? We’ll plan on checking you in at the center around eightish.”

“Sounds like a preposterously early bedtime to me,” I said. “What about elevenish? Or even stroke-of-midnightish?”

The doctor didn’t smile. His stare had crept up to Brenda’s thighs and nestled there. She tugged at the hem of her skirt.

--

All three guys, fellow Team Decker members, continue to work on posting their stuff up on the web, for free. Call it sharing, promotion, beta testing, whatever. It's great to see so much good stuff out here. Right now, you've got three hunks of brilliance to enjoy. Make a note and when these books are on the end caps at Barnes and Noble and the front page at Amazon, you'll have fresh pieces of awesome to use your rewards cards on.