Showing posts with label JJ Hensley. Show all posts
Showing posts with label JJ Hensley. Show all posts

Thursday, April 30, 2020

Beau Johnson on JJ Hensley's BOLT ACTION REMEDY


This week, Beau Johnson takes a look at some thrilling J.J. Hensley, Bolt Action Remedy.

Former Pittsburgh narcotics detective Trevor Galloway has been hired to look into the year-old homicide of a prominent businessman who was gunned down on his estate in Central Pennsylvania. When Galloway arrives, he determines the murder could have only been committed by someone extremely skilled in two areas: Skiing and shooting. He believes the assailant should not be too difficult to identify given the great amount of skill and athleticism needed to pull off the attack. When he discovers the victim’s property is next door to a biathlon training camp, the situation becomes significantly more complicated.
Galloway makes plenty of enemies as he sifts through stories about lucrative land deals, possible drug connections, and uncovers evidence suggesting the homicide may have been elaborate suicide. As he attempts to navigate through an unfamiliar rural landscape, he does his best not to succumb to an old drug addiction, or become confused by one of his occasional hallucinations. Oh, and a Pittsburgh drug gang enforcer known as The Lithuanian—if he’s even real—is tracking Galloway and wants to take his eyes. Galloway would rather keep those.
In Bolt Action Remedy, the typically quiet streets of Washaway Township, Pennsylvania become the epicenter of a mystery involving elite athletes and old grudges. For Galloway, the problems keep piling up and somebody out there believes problems should be dealt with by employing the most permanent of remedies.

Thursday, September 20, 2018

Your Fight Scene Sucks, Fight Me!




When watching a movie, if I can, I'll fast forward through a fight scene, otherwise, I'll get all glassy-eyed until it is over. Don't even get me started on comic book movie fight scenes. When reading, I'll usually scan through the paragraphs of a fight scene to see if anyone happens to die and then I'll catch up with the story in its proper place. Why? Because fight scenes suck.

I probably should have said, "Most fight scenes suck because they are too long and there are usually no ramifications for the characters afterward." Characters need to get injured in their fights and these injuries need to be long lasting, not forgotten by the next chapter. Also, fight scenese are way too long. I really don't know if "way too long" even covers it. Go to Youtube and search for "street fights" and you'll see that most fights are only seconds long and usual end in some sort of grappling, fleeing, or one-punch knockouts.

What fight scenes should not be are chapter-length episodes that one might read in a typical New York Times thriller. Let's join Jack Reacher after 778 words of fighting and beating three opponents in "Night School": "By that point the clock in Reacher’s head told him the fight had been running a little over four seconds." That's almost 200 words a second! Yawn, so much yawn. And there are still five more bad guys for Reacher to take down. I'm aware that these superman characters are supposed to be all that but having a fight drag on like this is as boring as it is preposterous:
Reacher exploded at the guy and got there three inches into the bat’s forward swing, which gave him time to catch its sweet spot in the meat of his palm, and jerk it away, and add his other hand, and stab the knob of the handle at the guy’s head like a rifle butt, and connect, like a ferocious punch through a single knuckle.
James Bond is infamous for its crappy fight scenes.



# # #

But why do fight scenes suck? JD Stanley has an interesting article on this topic. Stanley breaks the problem down into three sections: No Injuries, Too Much Dialogue, and Most people aren't Rambo. Stanley also gives a few suggestions on how to make your fight scene work.

Here's a fight scene that worked, it's from JJ Hensley's "Bolt Action Remedy" (Down & Out Books).
“I’ve talked enough,” he said as he raised a fist and stepped forward to put me within striking distance. 
Snapping my left foot forward, I managed to kick a heap of snow into the larger man’s eyes. He instinctively raised his hands to his face and I took one long stride and used my right arm to deliver a solid straight punch to his diaphragm. People engaged in hand-to-hand combat often make a mistake by focusing on hitting an opponent in the head. But if you ask any experienced fighter, he’ll tell you that he’d rather take ten punches to the head than one good shot to the body. 
The human torso contains all sorts of important organs and most of them are protected by little more than thin rib bones. But most importantly, every fighter needs one very important thing to keep fighting: oxygen. If you take your opponent’s oxygen, you take your opponent. I took Mark Letterman’s oxygen and it was going to take him a while to get it back.
The fight continues a little bit afterward, but Hensley has this fight end almost a quickly as it started which is one of the reasons why it worked. The other, it was basically over with one punch. Maybe the fight lasted two seconds long which comes out to maybe 90 words a second which as a reader I appreciated–my eyes didn't have a chance to glaze over.

The other week, Hensley also had a good piece about how to write a successful action scene over at The Thrill Begins. This guy knows what he's doing.
Every time I write a fight scene, I think of the judo class I took or my first experience with boxing. Every…single…time. Each time, I can feel the leather of the headgear on my face and see the white strings dangling from the boxing gloves. Details like that make action scenes more authentic and relatable to the reader. 
Are you writing a car chase scene? I bet at some point in your life you’ve smelled rubber burning and can describe it to the reader. 
Do you have [a] character being chased down a spiral staircase? What do the echoes sound like? What does the railing look like? What does it feel like? How hard is the character breathing? How can you relate?
So please when you are writing a fight scene keep it short, keep it realistic and for god sakes have people get hurt. Otherwise, I might just tell you that your fight scene sucks. ;-)



I reviewed Hensley's "Bolt Action Remedy" last month over at Unlawful Acts and Hensley's latest book, "Record Scratch" (Down & Out Books) comes out in late October. 

Thursday, March 1, 2018

Arming Teachers: The Perspective of a Former Secret Service Agent

For several days, social media has been in the grips of a debate on how we can protect our children. One of the suggestions bandied about is to arm school teachers.  If you follow J.J. Hensley on Twitter, @JJHensleyauthor, then you've had a little bit of education on the problems with  arming teachers (or anyone) to take down the perpetrator with a gun in a school. J.J. is the author of several books, the most recent being Bolt Action Remedy, published by Down & Out Books, and a contributor to the new anthology The Night of the Flood.  He is also a former police officer and former Special Agent with the U.S. Secret Service. I asked JJ if he would write something around the idea of arming school teachers. Much thanks to J.J. for taking the time to write this guest post. - David Nemeth

Firearms instructors at the James J. Rowley Training Center. (USSS Instagram)
By J.J. Hensley

About seven months. That's how long one has to train to be a Special Agent in the U.S. Secret Service. The first step is to complete a basic criminal investigator training program at the Federal Law Enforcement Training Center. Next up is the Special Agent Training Course at the Secret Service Academy in Maryland. Throughout the training, agent candidates are instructed in relevant topics such as investigative techniques, the appropriate use of force, defensive tactics, legal procedures, physical fitness, and the proper use of firearms. The firearms training consists of shooting tens of thousands of rounds in a controlled environment as well as going through a myriad of scenarios in which the trainee must exercise the proper judgment. The drills are repeated over and over again so as to create what is called muscle memory; where one reacts automatically – and correctly – in a stressful situation. The reason for this is because people will often react inappropriately when potentially dangerous circumstances present themselves or they will not react at all.

Of course many of the trainees have had previous training either through prior law enforcement or military experience. So before a new agent hits the street, it's likely he or she has been exposed to not only countless hours of classroom lecture reinforced by practical exercises that simulate actual hostile situations, but also real-life experiences. Additionally, law enforcement agents and officers are vetted through mechanisms such as background checks, drug tests, polygraphs, and psychological evaluations.

For agencies like the Secret Service, the scenarios trained on include those in which an individual or individuals must be protected from an assailant. It's difficult to express the importance of these exercises because it is difficult to train the students to act contrary to their natural inclination toward self-preservation. Additionally, those with previous law enforcement or military experience were trained to take cover when the bullets start flying, not to become the cover. As anyone who has been through similar training can attest, unlearning a set of movements is nearly always harder than learning them in the first place.

As someone who underwent the training and worked countless protective assignments during my time in the Secret Service, I recall being involved in plenty of events in which there were multiple people in one place, all designated as "protectees" of the Secret Service. For example, every Presidential Inauguration, Christmas tree lighting at the White House, or United Nations General Assembly will involve multiple protectees in close proximity to one another. So, how does an agent respond when an active threat appears?

There are a few basic rules to remember when working protection. One important one is that the minimum number of agents will address the problem (threat) and the maximum number will move to the protectee. This is Protection 101 and is a philosophy used by government and private sector security details all over the world. If you have every agent trying to take out an attacker, then your protectee could be left out in the open and vulnerable to another attacker. Another rule is to "sound out" the threat. This is done by yelling "gun" or some other word that the rest of your security force will recognize as the code word identifying an imminent threat. Then, if you are the security professional closest to the attacker, you address the threat. But what does this mean? You might be surprised that an agent drawing his or her weapon is likely a last resort. Why is that?

Remember how I gave examples of multiple protectees being present at an event. Well, events like campaign rallies and awards presentations can involve large crowds. So try to imagine you are an agent working an inauguration event and you spot an armed man who is twenty yards away from you. Imagine the man begins firing into the crowd. Imagine addressing a threat by pulling a gun and, through the crowd, taking aim on the attacker. Keep in mind that law enforcement hit rates in a shooting are somewhere between 18 to 30 percent.

Imagine the unpredictable nature of a gun battle around a panicked crowd.

Imagine not only having to worry about trying to hit your target center mass, but also having to account for what is behind the shooter, should your bullet miss or pass through the assailant.

Imagine not knowing if he is a lone gunman or if there may be another gunman who is maneuvering into a position to shoot you.

Imagine not knowing if an innocent person will run in front of your gun sights just as you pull the trigger.

Imagine you aren't at an inauguration event.

Imagine the venue is a school.

Imagine the members of the crowd are young school children.

Imagine you never had seven months of training.

Imagine you did not spend hour after grueling hour going through shoot or don't-shoot scenarios.

Imagine you don't have the muscle memory developed through training and experience.

Imagine not knowing if you should try to cover and evacuate your young protectees, or to go after the threat.

Now imagine you aren't there. Imagine your child is at the school and the person attempting to respond appropriately to a shooter is Mr. Stanley the third grade teacher who may or may not have taken a week-long firearms training course. He's raising a gun as screaming children rush by in front of him and he thinks the shooter is aiming at him.

Imagine.

For my last few years with the Secret Service, I worked on the Protective Intelligence side. The agency wisely dedicates massive resources to intelligence and advance work. This is because the best way to take care of your protectees is to prevent weapons from being present in the first place. As one former Secret Service Director liked to say, "If the guns come out, we've already lost."

Right now, in our schools, we are losing and the nation is divided on how to address this crisis. I don't have all the answers, but I know one thing:  If someone sneaks a weapon into a Secret Service venue tomorrow, the response the next day won't be, "Well, we should add more guns."