Showing posts with label Audiobooks. Show all posts
Showing posts with label Audiobooks. Show all posts

Saturday, February 8, 2025

Listen to Audiobooks at As Fast or Slow as You Want

 by

Scott D. Parker

A couple of weeks ago on NPR, I ran across an article entitled “Is there a right way – or wrong way – to listen to an audio book?” and I gave it a read. The article spotlights a TikTok video from Audible where various celebrities discuss their preferred speed of listening to content.

What surprised me was the number of folks who think 1x (i.e., normal) speed is the only preferred method. One person even commented “I think people who go real fast are - I don't want to say psychopath, but...” I have to admit it irritated me.

I am an avid listener of audiobooks and podcasts. Of the 34 books I got through in 2024, 31 of the were audiobooks. Basically, if there’s a book I want to read, I see if there’s an audio version first. When the guys from my SF book club make their picks, I instantly download the audiobook. Side note: I love when my friends pick the books because I can download the audio and just push play, having never read the book description, a habit I call Reading into the Dark.

When There's Not Enough Time

When it comes to those SF books, sometimes they're long and, depending on what other book I may be listening to, there may not be enough days in the month left to finish the assigned book. If the book is not good, I pull the rip cord and just stop listening. But for those books I'm enjoying yet I'm running out of time, it's time to bump up the narration. I ended up listening to the most recent novel, Ancillary Justice by Ann Leckie, at 1.4x. Fast enough to hear and digest everything but also speedy enough to complete the novel.

When The Narration Is Slow

Sometimes, an audiobook narrator makes a decision to read the book slower than I'd like. My default is about 1.2 to 1.25x. This is a nice, natural pace for my brain and ear. It has the effect of shrinking the silences between sentences.

Sometimes, the faster tempo of my listening brings a little bit extra to the experience. There have been more than a few books in which a faster narration lends itself to more punchy dialogue, especially for those romances with two witty characters. 

The Always-Natural Narrators

Scott Brick is my favorite audiobook narrator. Whenever I get a book with him--like Brad Meltzer's novels and histories and the works of Clive Cussler--I listen to Scott naturally.

Ditto for celebrities who read their own work. Dave Grohl, Henry Winkler, Ron and Clint Howard and, as of this week, Alton Brown. I know how they sound and I want to hear them naturally.

You Read More Books

When you speed up narration, you finish books faster. And then you can read the next book. Who doesn't like that?

This Shouldn't Even Be a Thing

When we buy a book or download an audiobook, that piece of content is now owned by us. It has left the writer's keyboard and brain and become either an ebook, a paper book, or an audiobook. 

And we readers and listeners can do with that product whatever we want. When I read, I annotate like crazy, especially non-fiction. I underline passages and make notes in the margins. Heck, I even do that for ebooks.

Plus, readers read at all different speeds, so there's no natural 1x speed of reading. So there shouldn't be a "norm" for audiobooks. 

You consume at the speed you want, and don't let anyone say anything differently. 

The Drunken Version?

By the way, all this talk of bumping up the narration leads to another question: anyone ever slowed down an audiobook to 0.5 speed? It's kind of fun. The narrator sounds drunk, something I learned while listening to The Ralph Report podcast (where host Ralph Garman slows down rants by co-host, Eddie Pence, to make Eddie, a non-drinker, sound drunk). 

Anyone want to hear a "drunk at the end of a bar" tell you a story?

Saturday, August 5, 2023

How Long Before You Give Up on a Book?

By
Scott D. Parker

I’ll be brutally honest: if I’m not enjoying a book, I pull the rip cord and parachute to the next book. This includes the books in my SF book club. The other guys used to push forward, slogging through the mire of a bad book. Not me. Life’s too short to read bad books.

Before I started Project Hail Mary, the latest novel by Andy Weir, one of my friends made an observation: “I think Andy knows how to write one book.”

Uh-oh, I thought. Having not even started Project Hail Mary, my hand was already primed to pull the rip cord.

Then again, Weir’s first book was pretty good. If you’ve read The Martian, then you know that it’s a first-person narrative in which our hero must solve the challenge of staying alive on Mars until a rescue mission arrives.

Project Hail Mary begins somewhat the same way: Our initially unnamed hero wakes up on a spaceship and doesn’t know why. Over time, we learn he is on a mission to literally save the Earth. That would be why the title of the book as well as the spaceship is named “Hail Mary.”

Like The Martian, hero, Grace Ryland, gradually begins his first-person narration as he slowly starts to remember everything as his brain gets back in gear after a three-year coma as the ship flew out to our nearest star, Tau Ceti.

I’ll admit that in the first hour of the audiobook, I did start to roll my eyes. There was a lot of math and some of it, I just didn’t get. Well, until Grace started to do the Star Trek thing where he’d tell you all the actual math, then give you an example regular readers could understand. In that early hour or so, I bumped up the narration speed to 1.5. It was beally begins his first-person narration as he slowly starts to remember everything as his brain gets back in gear after a three-year coma as the ship flew out to our nearest star, Tau Ceti.

I bumped up the narration speed to 1.5 which was actually not bad. It gave the narration a snark the regular-speed narration didn’t have. And I’d get through the book sooner.

Interestingly, however, I actually started to like the narrator, the story, and even the math. It was quite fascinating.

And then the Big Twist occurred, and I actually grinned like a goofball and pumped my fist.

Days later, no longer rolling my eyes, I finished the book and really, really enjoyed it

So, I have a somewhat standard for how long I give a book. It’s about an hour for an audio and more or less 50-75 pages of an actual book. Do you have something similar? Or do you always finish every book you start?

Saturday, August 6, 2022

A New Standard to Consume a Story?

by
Scott D. Parker

Have y’all tried this?

Last month, veteran author Max Allan Collins offered a pair of books for $0.99 each, Girl Most Likely and Girl Can’t Help It. They feature Krista Larson, a twenty-eight-year-old woman who serves as police chief for a small Midwestern tourist town. Yes, this makes her the youngest such chief in the nation, but she’s able to draw on her father’s multi-decade career when a murder of a former classmate during a high school reunion lands in her jurisdiction.

In a blog entry, Collins discussed the two books, the inspiration behind the tales, and a peek into the business of writing. But what got me was that these two stories are his take on Nordic noir, “an American variation on the Wallander novels, and such Nordic TV mini-series as The Bridge, The Killing, and (again) Wallander.” Well, that’s pretty much all it took for me to head over to Amazon and drop a buck and buy the ebook.

But then I got a prompt: for an additional $1.98, I could purchase the audio version of Girl Most Likely. I’m already an Audible subscriber and I’m an avid user of my local public library and the audiobooks it has. I have read/listened to the same audiobook before, back in 2007 when I read all the Harry Potter books in a row. Back then, I found the paperbacks from used bookstores and checked out the audiobooks from the library. I’d listen during my daily commutes, flip pages in the book at night and read, and the next morning, fast-forward the audiobook to match where I stopped reading the night before.

But I was curious: I had never purchased an ebook and audiobook with the promise that everything would be synced. I gave it a go.

I started with the ebook and read a few pages on my Kindle Paperwhite. Then I clicked over to my Audible app. Hmmm, the book wasn’t there. That’s weird. Where was it?

So I checked the Kindle app on my iPhone and viola! There’s the audio. It’s toggled when you tap to bring up the table of contents. 

If you tap on the title at the bottom, the screen flips and you get a basic audiobook look and feel.


Probably the coolest thing is if you start the audio while still having the ebook on the screen, the app highlights text as the audio goes along.

Oh, and when I picked up my Paperwhite later that first day, I get a message: “Want to sync to where the audio stopped?” Yes. Boom!

This is a great way to consume a story. I could easily see this dual format become a preferred way some people to “read” books, although from a business perspective, I would image you’d get the ebook for a buck after you purchased the audiobook at full price.

A note about the audiobook: this is not some AI voice stumbling through onscreen text. This is the actual audio narration by Dan John Miller. It’s a win-win.

And the story itself? Well, I’ll review it when I’m done but I’m really digging it.

Friday, June 10, 2022

ROLL WITH IT audiobook. FREE UK DOWNLOADS.

 Last week I gave away promotional codes to download ROLL WITH IT for free at audible.com. Now it's time to spread the free stuff on the other side of the big wet water thing. Today I'm giving away TEN free downloads for audible.co.uk

Just head along to the site and use one of these codes at checkout. First come, first served. 



Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.co.uk/acx-promo


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Friday, June 3, 2022

Roll With It Audiobook OUT NOW (free copies, apply within.)

 By Jay Stringer


I'm thrilled to say the audiobook of ROLL WITH IT is available on Audible RIGHT FLIPPIN' NOW. With great narration by Jennifer Pickens. I can't really do justice to how well Jennifer 'got' the book, the tone, the feel, and the characters. It's a perfect reading. 


To celebrate the release I'm giving away five free downloads to you, my loyal reader (and four of your friends, I guess...) These codes are for the US market only. I'll give away UK codes at a later date. 

First come first served, and I'll delete the codes later today. If you enjoy the audiobook, please spread the word about both my work and Jennifer's. 


.......


Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.com/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.com/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.com/acx-promo


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Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.com/acx-promo


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...............


Please enjoy one free audio review copy of Roll With It: A Crime Novel, now available on Audible. Redeem the one-time use code below at https://www.audible.com/acx-promo


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Friday, November 8, 2019

The Stone Song on audio


We've had the opportunity to listen to the fast-paced, pretty exciting story of a brother and sister who get caught up in one of those towns that gets locked down by the military because something secret and spooky is going on.

Think Stranger Things meets that Stephen King show about the domed town.

The stakes keep increasing at just about the right pace as the story moves on. If you're fan of the genre, this is one you'll probably want to give a go.

If you've got a holiday drive coming up in the next couple months, this would make a pretty good companion as the story is active, the pace is quick, and the bad guys are really bad.

As this is part of a blog tour for the book, check out what Karen said yesterday here.

--

Audible, the world’s leading provider of spoken-word entertainment, has secured worldwide English language audio rights to Tom Bale’s audio-exclusive new title The Stone Song, narrated by Raza Jaffrey (Homeland, Code Black).

Audible will produce and record The Stone Song in its Grammy and Audie award-winning London studios. It will be released exclusively in audio on 7 November 2019. It is now available to pre-order on Audible here.

The Stone Song is a dystopian sci-fi thriller set in a small Sussex village, by best-selling author Tom Bale (See How They Run, All Fall Down, One Dark Night). With four teenagers pitted against deadly opposition, this is a story of supernatural menace that will appeal to fans of Stephen King and Stranger Things

On a sweltering summer’s night, teenage siblings Jack and Lily witness a helicopter crash on the main road between Brighton and London. The next morning they wake to find their village has been sealed off from the entire world. A terrorist cell is holed up in Stenhurst – or at least that’s the official story, put out by sinister government agent Wynter and his vicious sidekick, Major Kellett.

But later that day, Lily and Jack stumble on the truth: the authorities are hunting for a mysterious creature, labelled CatX, who escaped during the crash. Together with their friends, Erin and Oliver, Lily and Jack take it upon themselves to defy the lockdown and protect the creature, no matter what the risks. 

The stakes are raised still further when a team of American agents arrive with their own unique technologies. Nobody who sees the CatX must be allowed to survive, and yet it soon becomes clear that there is a much bigger secret here...one that threatens the entire world. 

The Stone Song features an exclusive interview with narrator Raza Jaffrey at the end of the audiobook, in which he talks about the narration experience, his career as an actor and the things (and people) he loves to listen to.

The Stone Song joins a host of best-in-class sci-fi Audible Originals released in recent months. Highlights include The X-Files starring Gillian Anderson and David Duchovny, H.G. Wells: The Science Fiction Collection starring David Tennant and Hugh Bonneville amongst others, and Jeff Wayne's The War of The Worlds: The Musical Drama, starring Michael Sheen, Taron Egerton and Theo James.

Thursday, August 30, 2018

American Static in your ears -- and more

By Steve Weddle

First, I'm on the French radio waves, with a musical mixtape. Check it out.

Second, the newest episode of 7 MINUTES WITH is up. I chat with Jedidiah Ayres about movies, Holly West about the small screen, and Chris Holm about music. Check it out on iTunes or SoundCloud.

And our main attraction today -- Tom Pitts, whose AMERICAN STATIC is now available on audio.

Audio Shock


Guest post from Tom Pitts

I had a strange experience recently. I drove roundtrip from San Francisco to Los Angeles and got lost in an audiobook. Why is that strange? Because I wrote the book.

I’d always wanted to record my own audio version of my novels, at least I thought I did, but something always got in the way. Something? Let’s face it, procrastination got in the way, along with finances, equipment, and the pure hatred of hearing my own voice.


That last one may seem odd—especially coming from someone who’s got a live interview show up the on the internet, someone who’s sung for a rock ‘n’ roll band and is comfortable behind a mic—but I’ve never been able to playback an episode of Skid Row Chatter without shuddering. Can’t do it. 

I’ve been told I read well at live readings, but those are short stories with arcs like a well-oiled joke. The audience’s laughs and gasps had a lot to do with my perception of how well I did too. Then I thought I’d maybe try one of my novellas first. You know, dip my toe in the water. Enter procrastination.  I finally faced facts; I didn’t possess the wherewithal to get the ball rolling.

So I finally took the leap with American Static. I put it up on ACX and found an actor, a pro. The search didn’t take too long. I received a handful of auditions and knew right away when I heard the man best suited for the job: Daniel Greenberg. Straight forward, not too much acting with the characters voices, but enough to let you feel them and grow to know them, and, above all, a focus on clarity.  I knew what I wanted in a reader.

You see, a few years back my wife and kids straddled two apartments, one in San Francisco and one in Sacramento. That made for a long lonely drive between cities, and a lot of time for audiobooks. I started my habit by digging used cassette tapes from bins at thrift stores (a practice I highly suggest, because when you’re paying a buck for a book, you’re likely to try something you otherwise wouldn’t) and then moved on to CDs. Eventually I’d burned through every thrift store in Sacramento. When I was forced to upgrade my car, I upgraded my audiobooks too, with Audible. Now I could listen to what I wanted, not just what I found. Anyway, the point is I listened to a lot of audiobooks and I found a style I liked, and that’s what I found when I heard Mr. Greenberg’s audition.  How was it working with a total stranger? Nice. Daniel was responsive, helpful with the process, and let me lean on his experience a little ‘cause I’m a rookie.

On the drive to L.A., listening for glitches or mistakes that may need correcting, I found myself getting lost in my own story, forgetting about the structure and the sentences, forgetting I wrote the damn thing ,and just enjoying the motion of the tale. I wondered, how the hell did this thing come out of my brain? It’s a strange thing when you listen to your own prose read back to you. You start off by being hyper-critical, second-guessing every inflection, every intonation. Soon you’re judging the narrator’s choices—I would have done it this way, I would’ve read it that way—until you finally let go and let the reader tell the tale, and before you know it you’re caught up in the action, waiting for whatever happens next. It was a treat just to be along for the ride. I hope—if you give it a shot—you’ll enjoy the same ride. 

American Static’s audio version is available on Audible, Amazon, and iTunes.

--------------------------------------------------------

Tom Pitts received his education on the streets of San Francisco. He remains there, working, writing, and trying to survive. He is the author of AMERICAN STATIC, HUSTLE, and the novellas PIGGYBACK and KNUCKLEBALL. 

His new novel, 101, will be released by Down & Out Books November 5th, 2018. 

Find links to more of his work at: TomPittsAuthor.com


Thursday, March 15, 2018

Audio Best Seller Lists




I've never been a fan of Best Seller lists. I read a John Grisham book once and enjoyed it.

I started some Dan Brown, but couldn't stand the way he doesn't get sentences. So I switched to audiobooks and enjoyed that. His stories are better if you don't look at them.

I listen to books, though not as much as I listen to podcasts. Still, though. Books. On audio.

So usually I look at Audible when they tell me I have a credit to see what I want to get. The picks selected Just For me are always shit, because I've made some bad choices in my life. Honestly, you use an Audible credit on one goddamn Joe Abercrombie book and it's nothing but blades and breasts as far as the ear can hear. (The Abercrombie was fine, btw.)

Well, now, ON THURSDAY MORNINGS WHICH IS RIGHT NOW (unless it's not), the NYTimes is publishing its audio best sellers list.

The New York Times to Launch Monthly Audiobook Best-Seller Lists

03/05/2018NEW YORK, March 5, 2018 – The New York Times announced today that it will publish monthly Audiobook Best-Seller Lists for the first time, featuring the top 15 fiction and top 15 nonfiction audiobook lists, based on sales from the previous month.
The lists, which combine digital and physical audio sales, will debut online on Thursday, March 8, and in print in the Sunday Book Review on March 18.
Moving forward, the Best-Seller Lists, which previously published online on Fridays, will now publish on Thursday mornings.
“The vibrant growth of audiobooks in the industry has created a need for an impartial, reliable source for tracking and reporting the top-selling audiobooks across the country,” said Pamela Paul, editor of The New York Times Book Review. “The Times recognizes the increased reader and listener interest in audiobooks, as well as in the Book Review's increasing depth of coverage of audiobooks, and we’re thrilled we’ll be able to provide them independent data they can rely on.”
The Book Review will continue to publish in print the Combined Lists and Hardcover Lists each week. The third page will highlight other Best-Seller Lists on a weekly rotating basis, including the following categories: Paperback (Trade Fiction and Paperback Nonfiction), the four Children’s Books lists, and Audiobooks.
The Children’s Books Lists and Paperback Lists will continue to be updated and posted weekly online, and in response to reader interest, the Paperback Lists will now expand from 10 books to 15.
The Times’s Best-Seller Lists are based on a detailed analysis of book sales from a wide range of retailers who provide The Times with specific and confidential context of their sales each week. These standards are applied consistently, across the board in order to provide Times readers our best assessment of which books are the most broadly popular at that time.
The Times’s Best-Seller Lists are the gold standard because of their painstaking and careful methods of tracking sales. The Best-Seller Lists, while independent from our core news report, embody the same ethical standards and values as The Times newsroom.
All Best-Seller lists are available at www.nytimes.com/books/best-sellers/
So there's another place to search for what's hot right now, if you're into that sort of thing. I don't know if the NYT is really late to the audiobook game or if audiobooks are just hot now.

Have we had a Death of Ebooks story this week? Are audiobooks the Netflix of IPAs now? I can't keep up.

Anyway, I'm still mainly a podcasts in the ears guy. Vox's podcast WEEDS is my current listen. FiveThirtyEight does good stuff, too. You can Google them if you want. You have the same internet I do, lazybones.



Saturday, October 8, 2011

What Does Your Book Sound Like?

by
Scott D. Parker

What do you hear when you read a book?

It's an interesting question for me, an avid audiobook listener. I'll freely admit that the stories I listen to are colored by the narrator. A good narrator can make a mediocre book decent, a bad narrator can hurt a good book, and when you get the perfectly matched pair of narrator and prose, the end result is greater than the sum of its parts.

The most recent book I finished via audio was the third Nikki Heat book by Richard Castle, Heat Rises (my take). Johnny Heller, the narrator for all three novels, does a superb job of the nuances with the the two leads, Heat and Jameson Rook, the two characters, for those of y'all that don't know, are the "stand-ins" for Castle and Beckett from the TV show "Castle." Heller reads the prose with a subtle wiseguy lilt that feels incredibly natural.

More than that, however, the prose itself reads as if the fictional character Richard Castle, played by Nathan Fillion, really did write the book. The word choice, the style of the prose, the similes were all something you'd easily imagine Castle saying on his TV show. In fact, back a couple of years ago when the first book came out, I was secretly pining for Fillion to read the audiobook. That might've been just a little too meta.

That's not the case for real authors, especially the ones I've met at book events at Murder by the Book. I think we all do the same thing when we either pick up a book by an author we've never met or, more to the point, never heard. We fill in the gaps, casting the various characters of a novel with the voices in our heads. But once you've met an author and heard the tone of voice or accent, do you transmit that voice to their books?

I do. I'm currently working my way through two books, one audio and one on my Nook. I met fellow DSDer, Joelle Charbonneau, last year for the first time here in Houston. At the author event, she read a passage from her first book, and, in conversation afterwards, it became quickly apparent that her real voice infiltrates her prose. Now, when I read a Charbonneau story or novel, I hear Joelle saying the words. I've had the same vibe having met or listened to Duane Swiercznyski, Russell McLean (another DSDer), Stephen J. Cannell, and Stephen King.

So, do y'all "hear" the author's voice in the prose?

CD of the Week: Tony Bennett: Duets II. I'm a casual fan of Bennett, owning only 4-5 CDs. This was on my radar as soon as I heard about it. While folks will likely remember this as the last recording of Amy Winehouse, the rest of the tunes are strikingly good. Not all ballads and such: see the off-beat arrangement of "Don't Get Around Much Anymore" with Michael Buble. What really gets me most is how good a singer Lady Gaga is. Singing "The Lady is a Tramp," Lady Gaga belts out her pure, clear voice that compliments Bennett's smooth, well-aged one. In her pop tunes, you can hear her talent, but in a venue like this, it really stands out.

Tweet of the Week:
Pres. Obama: There may be no greater tribute to Steve’s success than fact that much of world learned of his passing on a device he invented. -- Mario Batali (among others)


The iPod and iTunes did nothing less than change the paradigm by which I acquire and listen to music. That I've downloaded TV episodes on my Mac means my movie watching is moving in a new direction. My Nook--a cousin of Apple's touchscreen technology--is changing the way I acquire and read books. And my iPod Touch is, on most days, all the computer I need. And it fits in my pocket. Remarkable.

Saturday, September 12, 2009

In Praise of Audiobooks

I can say with complete honesty that I listen to more audiobooks than I read actual books. I’m to the point now where I prefer audiobooks over printed books. Take Dan Brown’s newest puzzle book. Instead of getting in line for the hardcover at the library, I’ve got the audiobook on hold. Chances are, I’ll get the book by late next week merely because the waiting list for the audiobook is shorter.

I also believe this: if you don’t listen to audiobooks, you are missing out. Fundamentally, every book tells a story, even if it’s a non-fiction book about migratory patterns of birds. And what better way to experience a story than having it told to you the way our ancestors did: aurally.

As a listener, the story comes alive in ways you just can’t get when you’re reading the story in your head. The voice actors almost always do a bang-up job with their narration, providing nuance where there is only black-and-white on the page. For me, at least, these readers narrate faster than I read so I can get through a book faster than if I read it myself.

Some caveats: yes, the voices of the characters in your head are your own creation and the reader’s voice is what you’re hearing. Sometimes, they don’t match well. I’ll grant you that one. And there are times when a reader of one gender has to voice a character from the other gender and it comes out funny. Touche. Not to be sexist but men doing women voices is a shade better (note I wrote shade; not loads) than the opposite. It’s a rare women narrator who can do men well (heh). It’s best when either gender just reads the lines as best they can.

Experiencing a book with your ears and your imagination is a great way to “read” a book and one I’ve come to prefer. As a writer, however, there’s an underrated advantage to listening to an audiobook. You pick up an ear for pacing, one, and dialogue, for another.

Let’s take pacing. When I’m reading a physical book, most of my mental energy is focused on the book and the words and what they mean. Well, duh. But seriously, I sometimes find myself so focused on getting through the words that I don’t have time to ponder the grander meaning of the words, the prose choices, the pacing. It’s not until I go back and re-read or sit and think on the work after I’ve put down the book where these thoughts come to me.

Not so with audio. As I listen, it takes me less energy to “get” the story and, thus, I’m free to ponder all those esoteric topics that my writerly brain likes to think about. Thus, my writerly brain is more actively engaged with a story as I listen to the book without having to stop, re-read, and think on everything later. As a writer, I find this kind of give-and-take essential to making me a better writer. I can easily ask myself “what would I do next?” and then have the answer the author chose given to me. Yeah, I know most writers do this anyway when they read; I’m just saying that, for me, it’s an easier exercise when I listen rather than when I read.

Dialogue. More often than not, it’s difficult for us writers to put good dialogue in our stories. I’m referring, of course, to dialogue that really sounds like people talk. Any of us can write dialogue that sounds like a writer wrote it. That’s easy. But real dialogue, the everyday speech patterns of cops, lawyers, killers, femme fatales, you name it, that can be very difficult to come by and “sound” authentic.

With audiobooks, you get the dialogue read to you by a professional voice actor. It’s the reader’s job to make the words sound real. Here’s where you can tell the gifted writer versus the regular writer. With a gifted writer and a gifted voice actor, the words and speeches of the characters roll out of the speakers and into your ears like sunshine on a warm summer day. It’s effortless. For a less-gifted writer, you can hear the wrongness with the words. Were the narrator an actor in a movie, he’d be able to get a re-write. Not so with audiobook readers. They have to read what’s on the page.

I have found that I pace my stories better and write more natural dialogue as a result of listening to audiobooks. Last week, I wrote about the digi-novel, a new way to experience a novel. Why not go back to oldest standard that has yet to be topped: having a story read to you.

Am I the only one who loves audiobooks?

P.S., In my writing group, we read our chapters aloud. I find that when I read my own dialogue, I often go “off script” and read the line as if I were the character and spoke in a natural way. I always make a note and go re-write the line of dialogue with the extra/fewer words I used. Anybody else do that?