By Jay Stringer
As my second book prepares to meet the world later
this month, Super Agent and I have just handed the third over to the publisher.
It's a strange feeling. When I set out to follow Eoin
Miller for a series of books, I had an end point in mind and thought I could
get to it in four books. Russel is a fan of the rule of five, he likes story
arcs to have five parts to them, and he plots out accordingly. It'll be fun to
see what he does with McNee over the five stages.
I tend to think in fours. Trilogies all became the
thing thanks to George Lucas. And they seem to be a logical extension
of the principles of three-act storytelling. Some people might point to The
Lord Of The Rings, but that wasn't a trilogy, it was a single book
published in three volumes. When I sit down to write a three-act story,
however, I'm thinking of a second act that is really two separate acts, with
the mid-point climax dividing them.
I also apply the rule of four to other mediums. It's
very rare that a TV show can hold my interest beyond a fourth year, because by
that point I tend to find the writers have exhausted everything they set out to
do in the first place, and a film series that goes beyond a fourth film really
starts to feel like it's more filler than killer.
With books, too, once the writer gets past a fourth I
tend to give her less leeway.
Four acts seems like the right amount to me. That's
enough to set something up, run with the emotional consequences, deliver a few knockout
blows and then get out before you overstay the welcome.
But that's not the only way to do it. Russel will
pull it off, just as there are examples of writers in all the various types
storytelling who have pulled it off. My rule of four is not hard and fast; it's
more of a personal rule of thumb.
But that makes it all the more surprising to me that I
got the end point in three books rather than four. Eoin Miller's
original story arc is completed by the final pages of (title of book 3
redacted) and I'm very comfortable with where we leave him. Does that mean
there's no scope for a fourth? Well, wait and see. First you good people need
to discover which characters make it out of the trilogy alive, and which of
them gets eaten by a large genetically engineered dinosaur.
It's also an odd feeling for more personal reasons to be handing the book in. So
much has changed since I started writing this character. I was about 25 and
moving from the wreckage of a marriage to six months on my parent’s sofa when
Eoin Miller started turning into black shapes on the page. As I turn in book 3
I'm a published author, living in a different country, married and stressing
over two cats. The three Miller books are milestones in my live over the past seven years.
Things change.
And things change again- I'm now staring at a blank
page again, but this time I'm not starting a story that's part of a series. I
don't have pre-established characters and I'm not following through on a story
arc that's already in motion. I'm looking for the next story. The next set of milestones.
1 comment:
I'm enjoying Runaway Town, Jay...Love the way you write...love the dialogue in his head.
Cheers,
J Browne
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