By Steve Weddle
If you know anything about short stories and crime fiction, then you already know Sandra Seamans. Her blog, My Little Corner, is a must-read -- as are her stories.
|Image updated: 30May2019|
I've worked with Sandra on a couple of projects -- the very first Needle mag and the DISCOUNT NOIR collection Patti Abbott and I edited.
Sandra was nice enough to answer some of my questions about writing style and short stories and much more.
Steve: Your “My Little Corner” blog claims to be a place for your “scattered thoughts.” In fact, your site provides a great deal of real news about what’s going on in the fiction community. From new publishers to contest and anthology calls, your site is one of the most useful sites for short story writers. How did you get to this point?
Sandra: Pretty much by accident. I started the blog without any idea of what to do with one and no expectation that anyone would actually read it. Once I figured out how to post links I started linking to online zines to make it easier for me to find markets when I had a story to sell and also to find stories to read. When I decided to clean out my email files, I discovered a whole slew of zine links and market listings which I added to the blog. It seemed a shame to stop there, so I just kept adding new links as I found them.
I always appreciated when other writers shared markets with me, so the blog was a way for me to pass that kindness forward. It's also been a joy for me to watch other writers get published in those new markets. It's such a big world out there on the 'net that having links in one place makes it easier for writers to find the type of market they're looking for.
Along the way I realized that by focusing only on mystery markets, crime writers were missing out on other outlets for their work. That mystery/crime stories fit in all genres, especially in many of the horror markets. So I began adding anthology calls, contest, and writing advice links for all the genres. It's been a lot of fun for me and hopefully useful to other writers.
Steve: Benjamin Whitmer, another of my favorite writers, has called your COLD RIFTS “a fierce, sorrowful” book of stories. How did you choose these stories for this collection?
Sandra: With a great deal of hair pulling. I knew they all needed to be dark stories because that's what Snubnose Press publishes. Since most of my work has been published online I felt the need to make the bulk of the collection new stories. I had six new stories and a half-written novella (which turned into a novelette) in my files that fit the bill. Besides finishing the novelette, I also wrote two more new stories and lengthened a pair of published flash stories. The rest was just a matter of deciding which published pieces would compliment the new work.
Putting them into some kind of order was the tricky part. I spent hours writing down lists of stories, their themes, lengths, male or female protags. I finally wound up loosely putting them together in groups of four - two dark stories, one paranormal and one humorous. What I hoped for in this arrangement was to break up the intensity of the darkest crime stories so that readers didn't feel like they were being pummeled to death with disaster. One other thing I did was mix in a good dose of male protags so the male readers won't be overwhelmed with a feminine point of view. I didn't want the collection to appeal strictly to women, I wanted something for everyone to enjoy
Steve: At a recent Mystery Writers of America meeting, Snubnose Publisher Brian Lindenmuth talked about your book in addition to some of the others that indie press is publishing. How helpful has it been to be in a community of like-minded readers and writers?
Sandra: It's like having your own private cheerleaders. They're always there with an encouraging word and a helping hand when you need it.
Steve: You’ve had stories published nearly everywhere, at places that continue and places that have moved on – Shred of Evidence, Pulp Pusher, Scalped ezine. How has the market for short story writers changed over the past few years?
Sandra: The biggest change has come in the last year or so with e-publishing. More and more small presses are putting together anthologies and writers are getting a percentage of the profits. The amounts aren't huge but it beats constantly giving it away for free or having it sit in a drawer collecting dust.
I also love that print magazines are making a comeback. We've got Needle, Pulp Modern, and Grift which are publishing some great stories. And it's not just the mystery genre, there's new horror and sci-fi/fantasy print zines showing up.
The online zines are always in flux and I suspect always will be. What I have noticed is that some of them are starting to put together "best of" anthologies and e-pubbing them which puts the stories in front of a larger audience. Others, like The Big Click, Noir Nation, Spinetingler and ThugLit, are putting out new issues in this manner, which helps pay their bills and put a little jingle in the writer's pockets.
Steve: GRIMM TALES, an Untreed Reads publication, is a collection of stories in which top authors retell a Grimm tale in modern terms. How did your story come about?
Sandra: The minute John Kenyon put up the challenge to rewrite a fairytale into a crime story, I was in. Yeah, I’m a fairytale freak. I also knew I wanted to do something different. There are only so many variations of the usual suspects that you can write. I found a website that had many of the Grimm's published. Reading down through the list of titles "The Blue Light" caught my eye. It was the story of a Soldier who'd fought for the King and when he was wounded and not as useful, the King sent him away. Through a meeting with a witch he finds a way to get his revenge on the King - perfect setup for a crime story. I used the basics of the fairytale but turned the soldier into a cleanup man for a mob boss, gave him some rules he lived by and off we went. It was a fun story to write.
Steve: You’ve been writing stories for years, of course. Have your habits of writing changed? Are you quicker? More deliberate? Has it gotten easier?
Sandra: In some ways it’s easier. The blank page doesn’t scare me as much as it used to. I’ve also discovered that every idea that pops into my brain won't always make a good story, but the time spent writing and going nowhere isn’t wasted. Bits and pieces of those “useless” stories generally find there way into other stories that do work.
I’ve also learned to take my time, to think more about the character’s motives instead of just charging ahead into the action. The hardest part for me is setting the story aside for a week or two then going back. Setting the story aside allows my brain the freedom to mull over what I’ve written and consider other options or new scenes that would open the story up more or help explain better what’s going on. When I finally reopen the file, I usually have several pages full of notes and new scenes sketched out.
Each new story, at least for me, is a learning process. I’m learning to take my time instead of just banging away, then having to cut out half of what I’ve written. The hardest part is learning to trust my instincts. Inside, you know what is or isn’t working. You just have to trust that inner voice. Trust that it knows you're doing what’s right for the story when you hit the delete key.
Steve: In the Age Of The Laptop, the “room of one’s own” idea seems to be fading away. People write in coffee shops, of all places.. Do you have a favorite place to write or are you one of those people who scrawls down a complete story anywhere?
Sandra: I have a small office in the house where I work on my computer. I don’t have a laptop that moves from room to room but you’ll find notepads (junk mail envelopes make great note paper, too) and pens in just about every room where I’ve scrawled down ideas for new stories, bits of dialogue for the current wip, or random scenes that I think will take an old story into a new direction.
Living in the country, there’s no nearby coffee shops, so it’s just me at home with my Mr. Coffee to keep me company.
Steve: What short story writers should people be reading now?
Sandra: There's so many of them, it's difficult to choose, and everyone's taste in stories is so different. Some of the writers I've enjoyed lately are Charles Dodd White, Seamus Scanlon, and Misty Skaggs. These writers tend toward the more literary side of my short story reading. For the crime/mystery group I'd say Art Taylor, Thomas Pluck, Jane Hammons, Libby Cudmore and Jen Conley. And of course, there are a hundred others out there that everyone should be reading, just click on any online zine and you’ll find them.
Steve: What are you working on now?
Sandra: I'm always working on the next story. Recently, I was invited to submit a story to a charity anthology with an end of the world theme. I was stumped until I came across an old micro-flash that I’d written and believe, that with a bit of research, it will work into a good short story. One of the joys of flash fiction is that there’s always more story to tell.
I also have several “finished” stories simmering in their file folders that need to be opened. They just need a few more scenes added and a bit of polishing before they get kicked out the door. And then there's the Western that I’m working on. I know pretty much how it’s going to unfold, it’s just a matter of getting it from my head to the page.
Check out My Little Corner to keep up-to-date on all the crime fiction happenings.