Friday, December 7, 2012

Pre-Order RUNAWAY TOWN.

By Jay Stringer

There's a fine line when it comes to self-promotion. It's a journey we've all gone through together, holding hands and only occasionally putting laxatives in each others' drinks. Do we post self-promo all the time, with every tweet? Do we do it occasionally and tastefully and apologise for it at the same time? It seems to me that the basic rule of blatant self promotion is to do it when I have something I want you to buy.

So with that in mind, here we go, you can now pre-order my second Eoin Miller book. It's called RUNAWAY TOWN, it's the second part of a trilogy, and it's so good that your face will melt and your toes will fall into another dimension.

It's available at Amazon on both sides of the Atlantic. And the more you buy now, the less urgent demand I have to try and have another idea.


Thursday, December 6, 2012

My Top Ten Stories

By Steve Weddle

This week, John Hornor Jacobs, R.Thomas Brown, and Jane Hammons shared their TOP TEN SHORT STORIES lists.

In discussing the first two lists, yesterday on Twitter the nice Jane Hammons and I promised to swap lists. Her list had some of my favorites: Alice Munro and Hemingway's "Hills," for example. Her list also mentioned "Occurrence at Owl Creek Bridge," an interesting story that was a staple of my fiction syllabus when I taught undergraduates.

So, thinking quickly and with as little consternation as I could manage, I came up with a quick list that I posted in the comments of her blog.

Turns out, I kinda cheated. See, Conrad's "Heart of Darkness" is there in the top three for me, but you can't really call it a short story, I suppose. So I've replaced that story in the list with another of my very favorites.

And if you ask me in a month, I might swap out half of these. Holly Goddard Jones's "Theory of Realty" would be on here if the list went to 11. They're favorites, all of them. But picking 10 to share from the many I've fallen in love with is tough. Anyway, in no particular order, here's the list.

1. Hills Like White Elephants” by Ernest Hemingway

There's a pretty nice version of this that ran on HBO many years ago in a series called "Women & Men." It started James Woods and Melanie Griffith. Most of Hemingway's female characters are Melanie Griffith. Or that dark-haired woman I always confuse for her sister. Jennifer Tilly. Or Meg. One of them. James Woods is a fine Hemingway guy, too. The HBO thing was nice. Of course, nothing compares to reading the line "Will you please please please please please please please stop talking?"

2. Comet” by James Salter

Most of Salter is amazing. I'm told his novels are filled with humping. I haven't read the novels. The stories are just so beautiful, so precise, so heart-breaking. In this story, there's a line where it says that he knows the names of all the constellations. When you get to that line, you'll cry. I can't explain now, but trust me. It's awful.

3. “Burning House” by Ann Beattie

A party with people and their problems running against everything. The ending is sublime.

4. “Emergency” by Denis Johnson

As Jane Hammons and others have said, anything from JESUS' SON. I first found this story when Tobias Wolff read it here for the New Yorker.

5. “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell

This was in a BEST OF collection I read. I think Stephen King selected it. Another crotch-kick of an ending.

6. “Decoration Day” by John William Corrington

Read this one as an undergraduate myself back in the 1980s. Still go back to it. Corrington wrote a poem with the line "like women and plans/ best laid." Heh.

7. Drinking Coffee Elsewhere” by ZZ Packer

I found out about ZZ Packer from an anthology Packer edited. What a story.

8. People Like That Are the Only People Here” by Lorrie Moore

You have to be careful with this one, especially if you're a parent.

9. A Brush” by John Berger

From Harper's magazine in 2010. A guy meets a woman and her husband in a swimming pool.


10. “What We Talk About When We Talk About Love” by Raymond Carver

I fell in love with this story before I knew its history of editing. That alone is fascinating. I could pick just about any Carver for this list. That one where the guy is in the bar and these two women come up and try to get him to take them to see their night-school instructor. Anything Carver but "Cathedral" I'd put in this list, I guess.



Wednesday, December 5, 2012

How Losing NaNoWriMo Helped My Writing

By Steve Weddle

No one really gives a shit whether I finish this novel. Whether I write 10,000 words today or 100, no one but me cares.

I have no editors depending on me. I've signed no contracts, made no promises.

If I said that I was going to set this novel aside and go get some ice cream, you might say "Bring me a sundae."

As the story goes, when a best-selling author was late with his follow-up a few years ago, one of the Big Six publishing houses had to lay off a few folks. They'd expected the book at a certain time. They'd planned advertising, publicity. The author turned the book in the next year. The book was not well received. More people were let go. No one is waiting on his next book.Tom Hanks is taking other roles.

Other writers on this blog and elsewhere have deadlines to meet. Page proofs.Galleys. ARC. Salespeople running across America, telling bookstores about the next novel.

No one is doing that for me. No one is waiting for this novel. No one gives a shit whether I finish this novel.

Years ago I wrote a book that turned into a kind of mystery novel. Good feedback led to changes led to bad feedback. I wrote a sequel to that novel, but never felt much like revising it. So, I have two novels written. Each has its own strengths, though they share a consistent narrative and characters. I quite like much about the books.

I started working on a third book that takes elements from each of the two. A more literary, less plot-driven book. I can write the line -- "the kind of day when the sock drawer had one of everything and two of nothing" -- and not worry about how it moves the plot forward. I can work on scenes with characters, without needing to get them closer to the MacGuffin. I can toy with the writing. I can sculpt.

That's what I've been doing this autumn. Getting lines down. Working on scenes. But I wasn't writing every single day.In a sense, I wasn't moving things along. Which, you know, yeah. I get that.

(In case you give a damn, here's an excerpt from the book.. Maybe you'll like it.)

So when NaNoWriMo rolled around, I figured it was good timing.

I set up an account.I started with the 10,000 or so words I'd gotten down. The ones I liked. I pulled out the untouched moleskine I'd been carrying around. And I figured I'd pull from each of the two novels and work on new for this third, ending up with maybe 50,000 words by the end that I could play with.

I didn't care that the 50,000 words might be some cut and paste from the old books. I just wanted to have a hunk of words.

Well, I do have a hunk of words, though not 50,000 brand new words.

(I also have a Facebook page for the band that's in the new book. They're a Dixieland punk band called TUPELO SHIV. You'll like them. Seriously. Like them.)

NaNoWriMo is a sprint. It's intended to get you writing down anything you can, averaging 1,667 words per day. It doesn't matter what those 50,000 words are. Just write. And this is great. But that part of it wasn't for me.

The part that was for me was priceless, though. I needed to get back to writing everyday. And I don't mean sitting down at the laptop and pounding out 10,000 words of fight scenes or 5,000 words of plotty nonsense. I needed to get the novel back in my head more than I needed to get 50,000 words down. I needed to get the characters back talking to each other.

You know that point when you're writing a book and everything ties in? When you're watching Star Trek or reading an article in Forbes or talking to the gal at Starbucks and it's all giving you ideas for your book? That's what I needed to get back. And it worked.

NaNoWriMo was a great experience. I didn't do the Write-Ins in Charlottesville. I didn't read all of the pep talks in my inbox. I didn't message all my NaNoWriMo buddies every single day to ask for updates.

But I did get back to the novel. And when no one is counting on me to finish it, yeah, sometimes that's not easy.

It's on me. Me. This is my project. No publisher has bought it from me. No one is telling me what the cover art will look like. No one is telling me that they've chosen to push the release date back 14 months because another book like mine is coming out. No one is telling me that they've decided to drop the marketing plan for the second book because the first one only sold 5,000 copies.

No one is telling me shit. No one is pressing me against deadlines.

Because this is my book. Only mine.

And when everyone else is gone from your house and it's dinner time, you have to decide whether you're going to spend some time and make some gumbo or are you just going to eat a bowl of cereal?

Because I was eating cereal for months, and I got goddamn tired of it.

And I could have kept rinsing out the same bowl, filling it with Captain Crunch, and sitting down in front of SportsCenter.

So, thank you, NaNoWriMo for reminding me that soon, the house is going to be filled with people who are hungry as all hell for something good and I need to get my ass back in the kitchen.

First, you make a roux.