By Steve Weddle
So tomorrow I'll be moderating a panel at the Virginia Literary Festival's Mystery Day at the Library of Virginia.
The topic is "Amateurs vs Professionals" with the authors are JB Stanley/Ellery Adams, Andy Straka, and Jan Neuharth.
I want to do a great job, of course. I want to give the authors the best shot at sharing their work with the audience, at talking about what it is they want to discuss. These panels are a great opportunity for writers and readers to connect.
So I asked some pals for discussion/question ideas. Here's some of what I got:
> Where do your ideas come from? (Hahaha. That will KILL!)
> How do you respond to the criticism of your latest book, that it was the "grossest case of racism and homophobia written in the last 100 years," according to the Des Moines Register? (Don't worry about making this up. No one reads the DMR anymore so they won't know it's fake.)
> How much money do you make as a writer?
> If you were forced to read a novel by one of the other panelists or have a finger cut off, which would it be? And which finger would you choose?
> Not counting your spouse, how many people have you slept with?
> Were you sad when NEEDLE magazine rejected your story?
> My blog posts on DSD always suck. Would you like to guest post next week?
> Can I get you all to blurb my next book? It's about a cat.
> Not counting me, who in this room do you find the most attractive?
> What do you think your books need to make them more readable?
> Ebooks. Am I right?
--
As you can see, I can't use any of these questions. I have a list of about ten questions for each author and some general questions.
So I'm asking you folks -- if you're sitting in the audience of a mystery writer panel, what kind of questions to you want asked? If you're a panelist, what do you want to talk about?
If you've ever been to or on a writing panel, what's the best question you've ever heard?
I'll pick a winner or draw a winner or something. You win the newest issue of NEEDLE, which features Art Taylor (fellow panelist tomorrow), Gil Brewer, Holly West, and many more. Check it out.
Wednesday, October 12, 2011
Tuesday, October 11, 2011
I Don't Wanna Talk About It...
I'm kinda tired.
Kinda burnt out.
I don't want to talk about the state of publishing much anymore. Yes, it's changing, but too slowly for some. We get it.
I don't wanna talk about self-publishing. I did it with my book and it's been working for me, but I still want a publisher with my next book. It is what it is.
But what gets me is the hand wringing. The shouting from the top step that the sky is falling. Books are going to be diluted. Gatekeepers are horrible. Too many typos. Blah blah blah blah.
I try to stay away from it. Seriously. I'm starting to tire of publishing news. Really. It's the same things blogged and re-blogged and blogged again.
Like Sandra, I'm feeling nostalgic. I miss the old days.
I miss the days when I didn't know anything about the publishing industry. I miss the days when I only cared about my books and my stories.
So get this... tonight I finished the 3rd draft of my next book. It needs another major draft, but it's almost there.
I'm psyched.
I don't miss this feeling.
And I wanna shout it from the skies.
Kinda burnt out.
I don't want to talk about the state of publishing much anymore. Yes, it's changing, but too slowly for some. We get it.
I don't wanna talk about self-publishing. I did it with my book and it's been working for me, but I still want a publisher with my next book. It is what it is.
But what gets me is the hand wringing. The shouting from the top step that the sky is falling. Books are going to be diluted. Gatekeepers are horrible. Too many typos. Blah blah blah blah.
I try to stay away from it. Seriously. I'm starting to tire of publishing news. Really. It's the same things blogged and re-blogged and blogged again.
Like Sandra, I'm feeling nostalgic. I miss the old days.
I miss the days when I didn't know anything about the publishing industry. I miss the days when I only cared about my books and my stories.
So get this... tonight I finished the 3rd draft of my next book. It needs another major draft, but it's almost there.
I'm psyched.
I don't miss this feeling.
And I wanna shout it from the skies.
Monday, October 10, 2011
It Sucks To Be A Fire Hydrant In A Pissing Contest
Yes, authors have been in an uproar lately. Over self publishing.
It doesn't feel like that should come as a surprise, but Chuck Wendig's rant gave birth to a phrase:
(Don't put) the publishing cart before the storytelling horse.
I agree. And I'm going to take a slight detour here, and admit I've been feeling a bit nostalgic lately, a bit disconnected. I remember the good ol' days, when a lot of friends had blogs, and it was easy to keep in touch, and have a sense of connectedness. Now, most of the blogs I frequented once upon a time are gone - my solo blog included - and active discussion on the existing author blogs isn't what it used to be, either.
But there's something else I remember from back then, when I first started blogging. There were a lot of blogs that dispensed writing advice. And writers were almost always clearly on one side of the publishing line. They were either traditional, or they were self published.
Technology changed, and that line between the two camps started to blur. And, as more writers got on board with self publishing for Kindle, the stigma of self publishing eroded. Authors who once railed against the folly of self publishing uploaded their backlists, short story collections and even original manuscripts.
The rise of viable self publishing and borderline legitimacy coincided with a decline in blogging, and writers who were blogging started talking more and more about e-publishing, and how to succeed.
Although it may not have occurred in the way the naysayers who linked self publishing with the demise of quality writing predicted, the rise of self publishing does seem to have coincided with a significant decline in discussion about the craft of writing.
Now, back when I first started blogging, there were a lot of blogs where people dispensed writing advice. In some respects, it was a bad thing, because sometimes it was a case of the blind leading the blind. People with no publishing credits to their name would set up shop and dispense advice and build a flock of followers ready to drink the Kool Aid. Heaven help anyone who came along and questioned the adviser, or their advice.
I have mixed feelings about the shift in focus, because I am glad that I see fewer of those blogs. Then again, perhaps I'm just not looking hard enough.
I also appreciate that there's a time and place for advice on the business side of publishing and writing, and I have benefited from some posts about e-publishing.
I am also concerned by the fact that there seems to be a lot less interest in the craft of quality writing.
Having said that, I'm still left to wonder how we regulate quality. Just considering my own work, the same book that has six five star reviews and six four star reviews also has two one star reviews on Amazon. Your mileage may vary. There have been books others have loved that I've loathed.
My latest title, Harvest of Ruins, was recently pegged by Charlie Stella as my best to date. This is a book that's reduced reviewers to tears and brought me some of my greatest compliments, lags far behind all my other titles in sales.
What can I conclude? I don't have enough information to make any definite conclusions, but I am wondering about a lot of things. I wonder if readers feel more confident with my other titles because they were traditionally published first. I wonder how much the number of reviews on Amazon translate into sales. I wonder if it matters that you write a great book, because the only real force for sales is word of mouth. I mean, The DaVinci Code outsold every single work by Dennis Lehane, so quality writing doesn't always translate into popularity or sales. As I recall, The Bridges of Madison County was a NY Times Bestseller. Making the list only means you're popular; it doesn't mean you're a good writer.
And that's the rub. We've all known that. A book may sell phenomenally well, but that doesn't mean the writing is great. It doesn't even mean the writing is good.
There are some things about being a great writer, and a great storyteller, that you can't really teach. A writer either has the instincts and the aptitude that enables them to develop as a writer, or they don't. So many people want the shortcut to success, and so many writers are blind to their own mistakes and weaknesses. I think that's the real fear I'm left with. I'm not afraid of someone self publishing. I'm concerned that people don't take the time to let their work breathe and go back with fresh eyes, and really take advice and feedback to heart so that they can grow.
It's our fast food microwave culture. We don't want to wait, we don't want to put in effort. We want what we want and we want it now.
Part of me thinks that the reason so many people have shifted focus to sales and marketing and succeeding in e-publishing, is because selling successfully is concrete, while much of the art of writing is subjective, and you either have talent or you don't.
The question is, where do we go from here? How do we raise the level of discourse and foster useful discussions about writing? Is it even appropriate? I always feel that if I'm just writing about writing, I'm excluding the readers from my posts.
And that leaves me as lost as ever when I sit down to think about what I want to share here. What do you guys think? What should we be talking about?
PS: Happy Thanksgiving, my fellow Canadians.
It doesn't feel like that should come as a surprise, but Chuck Wendig's rant gave birth to a phrase:
(Don't put) the publishing cart before the storytelling horse.
I agree. And I'm going to take a slight detour here, and admit I've been feeling a bit nostalgic lately, a bit disconnected. I remember the good ol' days, when a lot of friends had blogs, and it was easy to keep in touch, and have a sense of connectedness. Now, most of the blogs I frequented once upon a time are gone - my solo blog included - and active discussion on the existing author blogs isn't what it used to be, either.
But there's something else I remember from back then, when I first started blogging. There were a lot of blogs that dispensed writing advice. And writers were almost always clearly on one side of the publishing line. They were either traditional, or they were self published.
Technology changed, and that line between the two camps started to blur. And, as more writers got on board with self publishing for Kindle, the stigma of self publishing eroded. Authors who once railed against the folly of self publishing uploaded their backlists, short story collections and even original manuscripts.
The rise of viable self publishing and borderline legitimacy coincided with a decline in blogging, and writers who were blogging started talking more and more about e-publishing, and how to succeed.
Although it may not have occurred in the way the naysayers who linked self publishing with the demise of quality writing predicted, the rise of self publishing does seem to have coincided with a significant decline in discussion about the craft of writing.
Now, back when I first started blogging, there were a lot of blogs where people dispensed writing advice. In some respects, it was a bad thing, because sometimes it was a case of the blind leading the blind. People with no publishing credits to their name would set up shop and dispense advice and build a flock of followers ready to drink the Kool Aid. Heaven help anyone who came along and questioned the adviser, or their advice.
I have mixed feelings about the shift in focus, because I am glad that I see fewer of those blogs. Then again, perhaps I'm just not looking hard enough.
I also appreciate that there's a time and place for advice on the business side of publishing and writing, and I have benefited from some posts about e-publishing.
I am also concerned by the fact that there seems to be a lot less interest in the craft of quality writing.
Having said that, I'm still left to wonder how we regulate quality. Just considering my own work, the same book that has six five star reviews and six four star reviews also has two one star reviews on Amazon. Your mileage may vary. There have been books others have loved that I've loathed.
My latest title, Harvest of Ruins, was recently pegged by Charlie Stella as my best to date. This is a book that's reduced reviewers to tears and brought me some of my greatest compliments, lags far behind all my other titles in sales.
What can I conclude? I don't have enough information to make any definite conclusions, but I am wondering about a lot of things. I wonder if readers feel more confident with my other titles because they were traditionally published first. I wonder how much the number of reviews on Amazon translate into sales. I wonder if it matters that you write a great book, because the only real force for sales is word of mouth. I mean, The DaVinci Code outsold every single work by Dennis Lehane, so quality writing doesn't always translate into popularity or sales. As I recall, The Bridges of Madison County was a NY Times Bestseller. Making the list only means you're popular; it doesn't mean you're a good writer.
And that's the rub. We've all known that. A book may sell phenomenally well, but that doesn't mean the writing is great. It doesn't even mean the writing is good.
There are some things about being a great writer, and a great storyteller, that you can't really teach. A writer either has the instincts and the aptitude that enables them to develop as a writer, or they don't. So many people want the shortcut to success, and so many writers are blind to their own mistakes and weaknesses. I think that's the real fear I'm left with. I'm not afraid of someone self publishing. I'm concerned that people don't take the time to let their work breathe and go back with fresh eyes, and really take advice and feedback to heart so that they can grow.
It's our fast food microwave culture. We don't want to wait, we don't want to put in effort. We want what we want and we want it now.
Part of me thinks that the reason so many people have shifted focus to sales and marketing and succeeding in e-publishing, is because selling successfully is concrete, while much of the art of writing is subjective, and you either have talent or you don't.
The question is, where do we go from here? How do we raise the level of discourse and foster useful discussions about writing? Is it even appropriate? I always feel that if I'm just writing about writing, I'm excluding the readers from my posts.
And that leaves me as lost as ever when I sit down to think about what I want to share here. What do you guys think? What should we be talking about?
PS: Happy Thanksgiving, my fellow Canadians.
Subscribe to:
Posts (Atom)

