Monday, June 3, 2013

Jack Vance's contributions to the mystery genre

 or Jack Vance was an Edgar winner too!

A giant of American genre fiction, Jack Vance, has died.

Vance is well known for his science fiction and fantasy works. He arguably invented the dying earth sub-genre and influenced generations of science fantasy writers, without Vance you don't have Gene Wolfe for example. The style of magic he developed in his fiction would be one of the prime influences on Advanced Dungeons & Dragons (pdf) (gamers began to refer to it as Vancian Magic).

He was an accomplished musician, a merchant marine, a traveler. You name it and he did it. And did it damn well too.

So Vance's SF/F bonafides are solid. But the man won an Edgar for Best First Novel in 1962 dammit and deserves to be recognized by this community too. That's what I want to briefly focus on today, Jack Vance's contributions to the mystery genre.



Here's a synopsis for The Man in the Cage:

Junketing around the Mediterranean in petty smuggling operations, Noel Hutson liked to think of himself as a gallant adventurer. But in the middle of a North African desert kasbah, with a truckload of contraband, the American feels less and less like a swashbuckling hero. Forced to reload his truck with a very suspicious cargo, he writes to his family asking for help. Noel disappears, and his brother Darrell comes to find him. Darrell's search takes him to the ancient city of Fez, and into the desert- along the way meeting fanatics, beautiful women, and villains. An exciting suspense novel about an American making his way through a restless society of smuggling, murder, and North African politics.

The Man in the Cage is available on the Kindle for $5.99

Thriller was an anthology series of thriller and suspense stories that ran from 1960-1962.  The Man in the Cage was adapted for a season 1 episode of the show. The full episode is embedded below.


In the mid-60's Jack Vance wrote three Ellery Queen novels.

The Four Johns (1964):

The four of them had only two things in common - their name and a love for the ladies. John Boce was a no-account accountant who lusted after food, drink cars, and women. John Thompson was a secretive librarian who liked his books and his women well-stacked. John Viviano was a fashion photographer with a great feel for a body - any body! And John Pilgrim was a poetic bum who had the girls hanging on his every stanza. All of them wanted the same woman, but which one wanted her enough to kill...?


A Room to Die In (1965):  

How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured, for although there was no suicide note there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions. She was convinced that her father could never have killed himself. Before she found the answers, two people were brutally garroted with a wire, one of them in her own apartment. Could she fins all the answers before the killer silenced her, too?



The Madman Theory (1966)

Madman or murderer? That was the question and it was Police Inspector Omar Collins who had come up with the answer. All he had to go on was: the victim - Earl Genneman, wealthy president of Genneman Labs; the scene- right in the middle of a busy state park; the murder weapon - a shotgun that was still missing; the witnesses - Myron Retwig, Red Kershaw, Bob Vega, and Buck James, all friends or employees of the deceased; the motive - unknown; the suspects - everyone!  Then he got a lukewarm tip from a real cool corpse, and a few clues started to click into place. But it wasn't till the third party turned up that the inspector was sure he was hot on the killer's trail. And by then, Collins knew he had very little time left to stop his madman from murdering again...!

At first it seemed as though only the Madman Theory could explain the brutal shotgun slaying which lay in wait for the friendly group of back-packing hikers. But Inspector Omar Collins, lean, gloomy-eyed, black-haired, was a painstaking man.The more he pursued it, the less he believed in the Madman Theory.





Of his EQ novels Vance said "...Ellery Queen gave me a flat fee of 3000 dollars for each book. Which was then a lot of money! I did have to sign a contract never to reveal I actually wrote the books. Theoretically I never took his name. In a way he took my good proze and did everything to let it pass as his own.". Vance refered to his EQ novels as being "tarted up".

There was at least one other EQ novel that remained unpublished until the manuscripts inclusion in the Vance Integral Edition.  You can read about it here (pdf).

In 1973 Vance wrote Bad Ronald which was adapted into a 1974 made for TV movie.






Vance wrote two novels with recurring character Sheriff Joe Bain, The Fox Valley Murders (1966) and The Pleasant Grove Murders (1967), that are set in a fictitious county in rural northern California. 





In a 1967 New York Times review of The Pleasant Grove Murders Anthony Boucher wrote:

“I like regionalism in American detective stories, and I really enjoy reading about the problems of a rural country sheriff…and I bless John Holbrook Vance for the best job of satisfying these tastes with his wonderful tales of Sheriff Joe Bain…All very sound, real and enjoyable.”

Subterranean Press recently reissued some of Vance's mystery novels. Dangerous Ways collects The Man in the Cage, Bad Ronald, and The Deadly Isles.  The second collection, Desperate Days, collects The Fox Valley Murders, The Pleasant Grove Murders, and The Dark Ocean. Both collections were limited editions but are worth the time to seek out.

Jack Vance's mystery bibliography:

Take My Face (1957), as "Peter Held"
Isle of Peril (1957), as "Alan Wade" (also titled Bird Isle)
The Man In the Cage (1960)
The Four Johns (1964), as "Ellery Queen" (also titled Four Men Called John, UK 1976)
A Room to Die In (1965), as "Ellery Queen"
The Fox Valley Murders (1966)
The Madman Theory (1966), as "Ellery Queen"
The Pleasant Grove Murders (1967)
The Deadly Isles (1969)
Bad Ronald (1973)
The House on Lily Street (1979)

Other links of interest:

New York Times profile from 2009

Guardian obituary

io9 obit

Critical look at Vance and his writing style

Here's an archived piece written by a fan who was invited to visit the Vance's

Here's a brief overview of Jack Vance's SF/F work from 2000 and a more in depth one

Sunday, June 2, 2013

Get ready to launch....(and a giveaway!)

by: Joelle Charbonneau

It's June.  I've been in denial until yesterday that June was coming.  Why?  I had a book to finish
writing and one to revise.  I finished the first and am working on the second.  All the while I have been watching the calendar creep ever closer to this sixth month of the year.  In two days, The Testing will hit shelves.

Yikes!

I'm scared.

I'm excited.

I'm thrilled.

And I'm ready to hurl.

I loved writing this book.  If you go back to almost two years ago, you'll see the blog posts I wrote about the leap of faith I took in writing it.  I mean, I was the girl who wrote wacky mysteries.  My stories contained camels who wear hats and roller skates, and singing and aunts who drive pink convertibles.  But this story idea hit me and wouldn't let go and I count myself lucky that I have an agent who not only encouraged me to write it, but who loved it once it was done.  THE TESTING is dedicated to her for that reason and so many more.

This series of books (the third of which is currently being revised) has been such an amazing challenge to write.  It has made me think harder about my thoughts on the world around me than any other story I've created.  The characters have engaged me.  The world building has challenged me and my editor has pushed me to make THE TESTING and the two books that follow the best they can be.

I hope readers like THE TESTING.  I hope they see in Cia Vale a heroine to cheer for.  I hope....

So much has lead up to this week.  Now that it is here, I am terrified that the faith my publisher has placed in me and in this trilogy won't be merited.  I don't want to disappoint them or you.  But the story has been written.  The VERY shiny book (trust me...the cover is REALLY shiny) is sitting in boxes waiting to be put on the shelves.  And Tuesday is right around the corner.  All I can do is trust that I have done my very best and celebrate the joy I feel when I hold this book in my hands.

To celebrate release week, I am giving away 1 signed copy of THE TESTING.  You also might get a fun TESTING bracelet and some temporary tattoos as week.  Just leave a comment below about why you want the book or what you like about the cover or trailer or say hello.  I can read the comments this week as I hide under my bed:)  I promise that I'll come out from under the bed on Friday evening and pick a winner.  Oh - and make sure you leave your e-mail address so I can contact you if you win!

Finally, before I sign off, I want to say thank you to everyone in my life who has been so supportive of my writing and this trilogy.  My family, my friends (both those in person and on social media), my publishing team (OMG - there is none better!) and all the booksellers, librarians and readers who made this journey with me....Tuesday isn't just a launch day for THE TESTING...it is a celebration of all of you.  There are no words to describe how much you all mean to me.  All I can say is thank you.

Saturday, June 1, 2013

Speed Writing



 By
Scott D. Parker

As quoted by a modern American icon, “I feel the need, the need for speed.” I don’t suppose I’m alone in wishing for a little more speed in the writing output. When I read about the output the old masters like Lester Dent, Erle Stanley Gardner, and other great pulp masters, I get envious of their productivity. Granted, the motivation was helped tremendously by the mere fact that they were most likely putting food on the table based on their writing output, but you get the point. They wrote fast, yet they also wrote well.

In trying to get my writing chops honed up, I started writing a little short story. Said story is one that I expected not to take me too long. You know: get the idea fleshed out, get it written, move on to the next story, flex the imagination chops. Not so. The “little” story is taking on a life of its own. I’m almost done with it, but I’m at 12,000 words and I still have a scene or three to go. True, I’m not hampering where the story is taking me and I know that I’ll hack away at it when it’s complete, but I actually expected it to take less time. Mental note for myself: make sure the next one really does take less time.

The only issue is, of course, typing speed. I can only type so fast and I only have a certain amount of time per day that I devote to writing.  I’m carving out more time now that school’s out and I can wake up at the same time each day (6am) and have some additional time to write. That’s a great thing, you know? And I’m already using my speech recognition software to dictate notes, emails, and blogs (not this one today), but I haven’t managed to use it for an entire story. That’ll be later this summer. I'll let y'all know how that goes.

I guess my only other option is to type faster. Or make more time per day to write. Seems like there should be some sort of typing regimen you can take to speed up your typing. 

Are there any tips you know to write faster? Anyone you know of have success with dictation?

Album of the Week: Random Access Memories by Daft Punk

 I'll be honest: I can't say that I had never heard of this band before a fortnight ago, but it's close. NPR Music featured them recently and I then I listened to the streaming album on iTunes. This record hit me like a ton of bricks. I love it! It hits so many cues, from 1970s disco and electronica to 1980s synth pop. I'm not normally drawn to 80s music anymore--despite that being the tunes I listened to in my formative years--but this collection of songs is making me consider it. Daft Punk is a dance band consisting of two guys who always seem to dress up as robots. In listening to this collection of 13 songs, it can be kind of fun to name check all the echoes and homages and musical references: disco, Donna Summer, Steely Dan, Kraftwerk, Vangelis, Hall and Oates, Earth Wind and Fire, and the Apparat Organ Quartet, to name just a few. There are two highlights. One is a song where composer Giorgio Moroder talks about his past and early career while the music plays underneath. I'll leave it to Moroder fans to let me know if there are passages in this song (a nice, low-key, lounge-y groove that morphs into a jazzy, electric piano middle) that harkens to Moroder's work, but it's fantastic. In the center of the LP is a collaboration with Paul Williams. If he did nothing else, Williams' composition of "Rainbow Connection" from the 1979 Muppet Movie is more than enough for me. "Touch" starts out with some 1970s electronica/scary music/space music type thing, and then shifts to a quiet, somber section. Williams' voice is fragile, honest, yet can still bring it. The "waka waka" guitar signals the transition to a song that would have graced the top of the charts circa 1978, complete with brass section, soprano sax solo, and strings. 

It's only June, but this album is clearly the one to beat for my favorite album of 2013. Highly recommended.