By Claire Booth
It’s the middle of winter. There’ve
been snowstorms in the Northeast, downpours in California, and plenty of gray
sky most everyplace else. So today, I feel
like hunkering down under a blanket and ignoring the world for as many hours as
I can. Comfort food in the Crockpot, comfort blaze in the fireplace, comfort
book in my hand.
And what makes a book the written
equivalent of homemade chicken noodle soup? For me, it’s familiarity. Give
me a series character, someone I know from previous books, and I’m happy.
I know what I’m going to get when
I sit down to read, and I’m not disappointed. I might be shocked, or saddened,
or horrified by what happens in the story. But I’m not let down because my old friend
the character is there, just as I’ve come to expect.
When I open up a Miss Marple
novel, I know exactly what I’ll get – a nosy old lady who isn’t taken seriously
until she solves the murder. Same with a Jack Reacher thriller – he’s a loner
with a strong moral code who constantly finds himself in dangerous
situations. Marple doesn’t start bare-knuckle street brawls, and Reacher doesn’t
go sniffing around garden parties. And I know that, because I know them as characters.
What characters do you know well and have followed from book to book? Who's your favorite?
Some I would wholeheartedly recommend are, in no particular order:
Wounded WWI vet Ian Rutledge, by
Charles Todd
Forensic archeologist Ruth
Galloway, by Elly Griffiths
Ghanaian police Inspector Darko
Dawson, by Kwei Quartey
Kick-ass P.I. Tess Monaghan, by
Laura Lippman
Quebec chief of homicide (ret.) Armand
Gamache, by Louise Penny
LAPD detective Elouise “Lou” Norton,
by Rachel Howzell Hall
Twelfth-century British monk Brother
Cadfael, by Ellis Peters
Newspaper police reporter Gabriella
Giovanni, by Kristi Belcamino
Ex-special forces trainee and
close-protection agent Charlie Fox, by Zoe Sharp
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Elvis Cole (Robert Crais)
Spenser and Hawk (Robert B. Parker)
Philip Marlowe (Raymond Chandler)
There are others I flit around to, mostly auhtors whose styles flow into my ear without effort (Elmore Leonard, Ed McBain, for instance).
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