As they used to say on the Fat Albert television program:
You're like school in the summertime -- no class.
And yet, here's a class.
Pass the word, friends and neighbors. I'm back at LitReactor, starting August 6. Fundamentals in Short Fiction is 4-week class discussing character, plot, setting, dialog and all those elements you need to build an effective story,
Goals Of This Class
- You will complete this class with a finished, publishable story in hand, and a skillset to craft your own fiction with compelling characters, rewarding plot, and telling setting.
- You will be able to understand and use the best contemporary storytelling techniques, learned through our carefully cultivated weekly readings.
- You will be able to move forward, using these techniques to enhance your own voice and vision.
- You will have raised your own standards for writing, working with classmates and the instructor through detailed discussion and line edits of your manuscript.
You don't always need an MFA for writing. Wait, MFA? Who said MFA? Oh, that's right. I did. I have an MA and and MFA, so I was ripe for the picking, it seems. Lisa Ciarfella and Elaine Ash chatted me up about the MFA program. To MFA or Not
Neither degree has been a golden ticket for anything I’ve done. The biggest benefit I got from the MFA was finding a group of like-minded people who were passionate about the same things I was. You think anyone at my office today wants to talk about whether Gordon Lish’s influence is what made Raymond Carver a great writer? About whether opening with straight dialog is a risk? About open endings in short stories? Heck, no. But the people I went through the MFA program with me STILL DO. I’ve got a dozen or so friends from that time who are still adamant about stories.Essentially, we created a network of readers and writers that we’re still involved with. It’s pretty damn glorious. >>
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