Sunday, November 9, 2014

Guest Post by Dana Cameron


The mystery world has been abuzz this past week with an issue that came up around Bouchercon.

As a debut author I did not feel qualified to write about it on this space, but I did come across an article written by Dana Cameron that I thought encapsulated the entire issue.

I'm reposting this article by Dana in full with this thought from her about how people are cooperating to solve this issue and that everyone involved is excited and enthusiastic about Bouchercon this week.

As Dana put it "We raised an issue, folks discussed it, it was tough, and now we're all going to B'con!"

Here is her article in full:

This is how things change
by Dana Cameron
If you haven't heard about the ongoing debate about Bouchercon 2014 and “Men ofMystery” (MoM), you will soon—Bouchercon is in a week. Here's a short version; I've included links if you want a fuller picture.
About a week ago, a few folks noticed that there was two sessions blocked off on the official Bouchercon schedule, dedicated to celebrating more than 60 male authors. “Men of Mystery” is a yearly local event, and its organizer, Joan Hansen, also has a yearly “Festival of Women Authors” event. Her dedication to the mystery community has been recognized with an MWA Raven award. The goal of those two Bouchercon sessions was to enfold a yearly local event into a larger one, both devoted to mystery; but there were other issues at play.
At the heart of the problem is this: When other outside groups—Sisters in Crime, Mystery Writers of America, Private Eye Writers of America, to name a few—have events at Bouchercon, Bouchercon doesn't pay for their rooms, receptions, etc. Bouchercon is footing the bill for the room for MoM and by doing so, was giving its backing and imprimatur to a private event that excluded women.
One of the great things about Bouchercon is the focus on a variety of topics in the genre, and either a man or a woman can talk about writing noir, or traditional mystery, or supernatural mystery, or historicals, and so on. A woman cannot be a Man of Mystery. I believe there wouldn't have been such a negative response if there had been a combined “Men and Women of Mystery Panel.” Or, if the event had remained "Men of Mystery," but had the MoM organizers pay for the space, and held it before or after the regularly-scheduled Bouchercon panels.
A concerned group began to reach out to Bouchercon and others in the mystery community to try and address this development. Sara Paretsky wrote a passionate and thoughtful response against the inclusion of the MoM event. Mystery Writersof America and Sisters in Crime also made statements, speaking against this exclusive outside event being part of the regular program, as well as recognizing the difficulty of the issue arising at this late date. Robin Burcell wrote eloquently about her experiences as a woman in a man's profession, but more especially about her concern that the hard work of the volunteers was being overshadowed by this discussion. Barbara Fister created a brilliant, succinct dialogue that elaborated on the structures of the arguments being made by all sides.
The Bouchercon National Board issued a statement that essentially started with “This entire episode is based upon a misunderstanding unfairly undermining the good work of a lot of caring, dedicated people without a gender-biased bone in their bodies” and ended with “We apologize to those who perceived including Men of Mystery as an offense to our diverse mystery community, for none was intended.” Which was less of an apology and more of a rebuke to people who protested.
Feelings are running high on all sides, and the situation is at once simpler and more complicated than it appears. For me, it comes down to this: Good people make mistakes without intending to. Good people can respond to those mistakes while still valuing the effort that went into the process. Working together, they can address concerns and find solutions. That's what's happening now: The Bouchercon Local Organizing Committee and Joan Hansen offered to split the time into two one-hour panels, and now the first will be “Men of Mystery;” the second is being designed even as I type this. That is progress.
I have worked on conventions and conferences, and I know what hard work and dedication it requires and all for the love of the organization—because it sure isn't paid work. There are difficult decisions to make in the planning process, problems that occur during and even after the event, and the volunteers are right there, every step of the way, working to make a fabulous convention. So right now, I want to say thank you to the organizers and volunteers of Bouchercon Long Beach. And I'd like to encourage you to thank them too, when you go.
It has been daunting, for me personally, to speak up about this. I suspect it has been the same for others, too. And so I'd also like to thank the people I've been working with (who are simply amazing) and everyone who's been offering ideas and support, for their courage and determination. It takes guts to speak up and it takes dedication to try and change something. Change requires a lot of hustling, a lot of emotion, and in this case, it's a bare two weeks before the event. I'm learning a lot from this experience, and, hard as it is, I'm grateful.
The thing that compelled me to address this situation was the notion that this is how things change. This is how they improve. This is how we learn. Negotiations of this sort are not fun, but there are big rewards. Maybe in the future, both intention and perception will be better aligned. Maybe the next time the need for a dialogue like this arises, we'll all have better skills with which to engage.
I love Bouchercon, all of us do. I've always said that it's like homecoming for crime writers, and we all rejoice in that big tent being there for us. Sometimes, the tent needs to be made bigger or restructured or fixed to keep working for us all.


Saturday, November 8, 2014

Sales! Events! NaNoWriMo! Kobo ereaders!

by
Scott D. Parker

Funny. Despite that headline, sometimes, doing the normal things like writing a new yarn means there’s not a lot of interesting stuff to write about.

My NaNoWriMo


I am well into my way with my own personal Na-Novella-WriMo project. My goal is to write a novella of between 20,000 and 30,000 words in a month. That is entirely doable. My productivity on my iPod during day job breaks continues apace. Wednesday saw me top 800 words while Thursday was just over 700. It’s a thrill to be able to take those five-minute breaks and transport myself into my new story.

Awesome Books for the Indie Author


Yesterday was the March to a Bestseller 2 event over at http://sellmorebooksshow.com/bestseller/. There are some tremendous deals. The one that really got me was The Indie Author Power Pack: How to Write, Publish, & Market Your Book. This is a boxed set of the following titles:

Let’s Get Digital by David Gaughran
Write. Publish. Repeat by Sean Platt and Johnny B. Truant
How to Market a Book by Joanna Penn

Now, I had just finished Let’s Get Digital a week ago having paid full price. But I bought this boxed set anyway. For one, there's exclusive content. Two of the books are updated and revised. All are foundational books for the indie author. As soon as you finish them, starts listening to Joanna’s podcast (The Creative Penn) and the Self-Publishing Podcast, with Johnny, Sean, and David Wright that I wrote about a few weeks ago. Indispensable wisdom.

Kobo Glo


Last Monday, my Kobo Glo ereader arrived in the mail. While I love my iPod Touch for writing and reading on the go, I am very partial to e-ink readers. Yes, they are easier on the eyes and they last a long time between charges. With the Glo, I now have the big three, having purchased a Kindle Paperwhite earlier this year and my Nook SimpleTouch back in 2012. What I really, really want is an e-ink iPad-type machine that is for reading lots of stuff over different platforms. There are good reasons to have all three devices, the least of which is to ensure my books render correctly on all three platforms. A great feature for the Glo is that it syncs my Pocket articles. Now, I read them on an e-ink screen.

Here’s the link to Kobo’s platform and the readers they have. Give’em a look. I got the pretty white one with the blue back. Refurbished no less. Kobo has great deals every weekend. In fact, I bought Kristi’s debut novel, Blessed are the Dead, yesterday for only a buck. Seriously. Ditto for Amazon and Nook.

Friday, November 7, 2014

The Five Book Plan

By Russel D Mclean

A few people of late have noted that the new McNee novel, Cry Uncle, may or may not be the last to feature the dour Dundonian PI. Its something, I know, that has confused people, so maybe its time for me to elucidate just a little on what that means.

Back when The Good Son was being bandied around as a debut in 2007, an editor expressed interest on the guarantee that there would be more on the way to be written every six months (this editor was then nixed by marketing who believed no one wanted to read about Dundee - - well, that's a discussion for another time). At the time, my agent knew that I had several other plots and my response was, "Well, there's a five book plan." Which there was. I had this idea that one should start structuring novel series akin to an HBO TV series - that is that instead of writing one story at a time, you should try and create ongoing threads to each book, treating each akin to a season of TV instead of pressing the reset button each time.
Cry Uncle - is this the end for McNee?

Chatting to someone recently about the books, they observed that "the first two books seem vaguely connected, but its only in book three you see that something else is happening". This is pretty much on the ball and what I wanted to achieve. Throwaway things came into sudden focus and although book 3, for me, is the one that I would look at again if I had the chance (for some very basic things) its amazing that it achieves its goal of suddenly setting up much larger stakes.

The story has been about McNee and his personal progression, but also about the fate of David Burns, who started as a mysterious background figure and has come into sharp focus since book 3. Burns is one of my favourite characters; a gang boss who calls himself a family man, who believes that he is only doing what it takes to survive in this world, who exists in a state of perpetual denial about the things that he does. The plan was always to bring him and McNee into direct conflict and as book 5 opens, we find that McNee has apparently switched sides to work for Burns. Of course, those who read book 4 will know why this happened.

The Five Book Plan is about telling this story, the story of McNee and Burns. Yes, each book has its own plot, but there's been something larger happening all the way through. Its not exactly as I envisioned it all, of course, but I am proud to say that I think I have achieved the five book plan.

But is this the end for McNee? Will he live? Will he die? Will he go to prison for some of what he's done? Will he have a happy ending? All I will say is that you'll have to read the book and say. I'm not saying whether this is the end for McNee, but I am saying that here, finally, the five book plan has been completed. And I'm rather proud of that.